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cash for spectrum
FCC Gives TV Channel-Sharing Green Light
TVNewsCheck, Apr 27, 2012, 11:45 AM EDT
By letting broadcasters share channels and not relinquish must-carry rights, the commission hopes to entice weak stations to double up (or even triple up) on channels, turn over spectrum to the FCC and participate in the voluntary "incentive" auction. Full Story | Comments (9)
Jessell at Large
Broadcasters, Wireless Missed Joint Victory
TVNewsCheck, Feb 17, 2012, 3:25 PM EST
With the passage of legislation authorizing incentive auctions of TV spectrum for wireless broadband use, broadcasters scored a victory in getting numerous safeguards included. Good job. But if the FCC, broadcasters and broadband proponents could have found a way to work together, they could all have been winners. They could have found a plan that produces the extra spectrum that's needed for broadband and improves rather than degrades broadcasting service. Full Story | Comments (6)
TVNewsCheck Focus on Washington
Levin: TV Spectrum Auctions Likely Doomed
TVNewsCheck, Jan 5, 2012, 7:08 AM EST
The chief architect of the FCC's National Broadband Plan says the incentive auction of TV spectrum is unlikely to produce much spectrum for wireless broadband or money for the federal treasury. Why? NAB-backed provisions designed to protect broadcasters in the authorizing legislation will expose the auction to crippling litigation. "Congratulations to [NAB President] Gordon Smith," he says. "He did a great job. He did the job he was hired to do.... But let’s not kid ourselves: That’s not putting the United States first." Full Story | Comments (21)
cash for spectrum
Kerry-Snowe Introduce Incentive Auction Bill
B&C, Mar 3, 2011, 5:51 AM EST
Sen. John Kerry (D-Mass.), chairman of the Senate Communications Subcommittee, and Rep. Olympia Snowe (R-Maine) introduced a bill that would authorize incentive auctions and require the FCC and NTIA to conduct a spectrum inventory. It would allow the FCC to determine how much to compensate broadcasters for giving up spectrum, but would also try to prevent speculation in those licenses. Link | Comments (1)

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Symbol Last Change (%)
Nasdaq 2839.38 -10.74 (-0.38%)
NYSE 7552.36 +11.46 (+0.15%)
S&P 500 1320.68 +1.82 (+0.14%)
Updated 05/24 5:58p ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 23, 2012
  • 1.
    6.1/18
  • 2.
    2.6/7
  • 3.
    2.0/6
  • 4.
    1.5/4
  • 5.
    1.4/4
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

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