Emily Barr

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  • Gearing Up For NAB 2012: The top tech trends and issues.
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  • 2011—Year In Review: Revisit the year’s top developments in business, programming, journalism, technology, regulation and more.
  • Audience Measurement: The state of ratings is examined in three parts: an interview with the head of the Media Ratings Council; the growing presence of Rentrak; and the search for a better local ratings currency.
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  • TOP 30 TV STATION GROUPS: Fox Television Stations is No. 1 in the revenue-based rankings, followed by the groups of the other major broadcast networks: CBS, NBC and ABC, with Tribune rounding out the top five.

Industry Calendar

May 2012
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28
Memorial Day
Holiday
June 2012
Mo
11
NAB Education Foundation
Celebration of Service to America Awards
Washington, DC
Tu
Th
12-14
PromaxBDA
The Conference 2012
Los Angeles, CA
Th
Su
14-17
Investigative Reporters & Editors
IRE 2012
Boston, MA
Sa
23
NATAS
Daytime Emmy Awards
Los Angeles, CA

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Post-Newsweek’s Alan Frank To Retire
TVNewsCheck, May 8, 2012, 4:20 PM EDT
The Washington Post Co.’s station group CEO will step down at the end of the year. He’ll be succeeded by WLS GM and Live Well Network creator Emily Barr, who joins the company in July. Full Story | Comments (10)
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WLS GM Barr Looks To Life After Oprah
Chicago Tribune, Aug 29, 2011, 7:00 PM EDT
When Oprah Winfrey announced last fall that she would be abdicating her throne after 25 years as the queen of daytime television, it prompted months of tears, long goodbyes and hand-wringing. And that was just among some of the TV executives who carried her show. For Emily Barr, longtime general manager of ABC O&O WLS Chicago, the station where Oprah started as the host of AM Chicago in 1984, it was another call to weather the storm and perhaps catch some lightning in a bottle. Link | Comments (1)
Executive Session with Emily Barr and Peggy Allen
ABC's Multicast Play: All's Well With Live Well
TVNewsCheck, Feb 22, 2011, 8:48 AM EST
Emily Barr (left) and Peggy Allen are the ABC execs charged with developing the programming and expanding the distribution of the O&Os' Live Well multicast channel. The diginet featuring  lifestyle programming aimed at women and produced mostly by the stations is now shopping for additional affiliates with the goal of reaching 50-60% of TV homes by the end of the year. The two outline their strategies and goals as they compete for a valuable — and increasingly in demand — chunk of stations’ spectrum. Full Story | Comments (3)

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The Market

Symbol Last Change (%)
Nasdaq 2839.38 -10.74 (-0.38%)
NYSE 7552.36 +11.46 (+0.15%)
S&P 500 1320.68 +1.82 (+0.14%)
Updated 05/24 5:52p ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 23, 2012
  • 1.
    6.1/18
  • 2.
    2.6/7
  • 3.
    2.0/6
  • 4.
    1.5/4
  • 5.
    1.4/4
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

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