ABC News Reporter Elizabeth Vargas Back In Rehab

The Associated Press,

LOS ANGELES (AP) -- ABC News reporter Elizabeth Vargas has returned to a recovery center to be treated for alcohol dependency, she and the network said Sunday.

The "20/20" co-anchor said in an emailed statement that she checked into a treatment facility this weekend while on vacation.

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"As so many other recovering alcoholics know, overcoming the disease can be a long and incredibly difficult process," Vargas said. "I feel I have let myself, my co-workers and most importantly my family down and for that I am ashamed and sorry."

Vargas, who's married to Marc Cohn and has two children with the singer-songwriter, said she was "committed to battling and addressing this debilitating disease" and expressed thanks for the support she has received.

The network said in a statement that it stands "squarely behind her" and was focused on Vargas' health.

"We look forward to having her back at ABC News when she feels ready to return," ABC News said.

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Vargas is being treated at an inpatient facility, and the length of her stay will be determined by her and her doctors, said a person familiar with the situation.

The person, who wasn't authorized to comment publicly, spoke on condition of anonymity.

Vargas, 51, spent several weeks in a treatment facility last fall. She acknowledged in an interview that aired in January on "Good Morning America" that she was an alcoholic and that it took years for her to admit it.

She said she had suffered panic attacks since she was a child.

"I dealt with that anxiety, and with the stress that the anxiety brought, by starting to drink," she said in the interview.

Vargas has worked in network news since 1993, first with NBC and then ABC, which she joined in 1996.

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Ratings

Overnights, adults 18-49 for September 27, 2016
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Source: Nielsen

Reviews

  • Rob Owen

    Easily fall’s best broadcast network comedy pilot, NBC’s The Good Place offers a clever high-concept premise that’s complemented with intelligent, sometimes absurdist humor. Created by Michael Schur, co-creator of NBC’s Parks and Recreation, The Good Place is a highly serialized series that’s essentially set in heaven and stars Kristen Bell and Ted Danson. NBC made five episodes of The Good Place available for review, and the show not only holds up, but also it improves, deepening characters that initially feel one-note and frequently leaving viewers guessing with cliffhanger endings to many of the episodes. The combination of snappy dialogue and winning but flawed characters makes The Good Place a great bet for fans of smart TV comedy.

  • Maureen Ryan

    Pitch has swagger, for good reason. It gets the big things right; the Fox drama about the first female baseball player in the Major Leagues is one of the year’s most assured and exciting debuts. But part of what impresses about the pilot is also the way it confidently strings together so many small but telling details. Ginny (Kylie Bunbury) is the first woman to be called up from the minors to the big leagues, and no show since Friday Night Lights has done a better job of portraying the internal and external pressures that weigh heavily on young athletes asked to do much more than merely succeed on the field. Pitch will likely do a good job of getting viewers to root for it. The hope is that the show won’t be an impressive, short-lived curiosity, but rather a long-term phenomenon.

  • Kevin Fallon

    In a fall TV season that’s already making a splash for championing diverse, distinctive voices in an array of projects that they created, wrote, and starred in, Better Things on FX stands out. The show is created by, written by, and starsPamela Adlon. She plays Sam Fox, the single mother of three daughters modeled after her own reality-show-ready experience raising three girls in Los Angeles following a divorce. Sam is also, like Adlon, a working actress — on shows both raunchy, a la Californication, and animated for children, like her role on Recess. It’s a refreshingly blunt take on single motherhood without sacrificing the warmth of parental love, portraying the dance between selfishness and selflessness that’s at the heart of being a parent — especially one weathering the hormonal fireworks of a household of four women at different ages.

  • David Wiegand

    The fall TV season doesn’t count as much as it used to — we already know that. But no matter how many retreads the broadcast networks throw at viewers in the next few months, this fall will be memorable because of the premiere of Atlanta on Tuesday, Sept. 6, on FX. The half-hour comedy created by and starring Donald Glover (Community), simply and brilliantly recalibrates our expectations of what a TV comedy is and how black lives are portrayed on the medium.

  • Louisa Ada Seltzer

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  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

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