Network Ratings Roundup: June 16-22

NBC Hopes It Can Sink ABC's 'Rising Star'

With rival ABC pinning much of its hopes for summer success behind the interactive new talent show, Rising Star, that debuted Sunday, NBC made a last-minute schedule change to distract potential viewers. NBC scheduled a special Sunday night version of America's Got Talent, already established as summer's most popular competition, to directly compete with Rising Star. CBS won the week in primetime, averaging 5 million viewers. NBC had 4.9 million, ABC had 4.1 million, Univision had 3.02 million, Fox had 2.95 million, Telemundo had 1.5 million, Ion Television had 1.1 million and the CW had 1 million.
The Associated Press,

NEW YORK (AP) — NBC is fighting amateur with amateur.

With rival ABC pinning much of its hopes for summer success behind the interactive new talent show, "Rising Star," that debuted Sunday, NBC made a last-minute schedule change to distract potential viewers.

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NBC scheduled a special Sunday night version of "America's Got Talent," already established as summer's most popular competition, to directly compete with "Rising Star." That move prevented the ABC show from getting off to a fast start: "America's Got Talent" had 8.1 million viewers, and "Rising Star" had 5.2 million, according to the Nielsen Co.

It was closer among viewers ages 18 to 49 years old, the demographic that both networks care most about (NBC's 2.67 million to ABC's 1.93 million). Since viewer engagement is important to "Rising Star," ABC said it was happy that more than a million people downloaded the show's app, and viewers cast 5.6 million votes for the show's contestants.

The U.S.-Portugal World Cup soccer game was the most popular program on TV in the past week, although it is not counted in the prime-time rankings because ESPN's telecast started earlier in the evening.

CBS won the week in primetime, averaging 5 million viewers. NBC had 4.9 million, ABC had 4.1 million, Univision had 3.02 million, Fox had 2.95 million, Telemundo had 1.5 million, Ion Television had 1.1 million and the CW had 1 million.

Brand Connections

Behind World Cup soccer, ESPN was the week's most popular cable network, averaging 2.59 million viewers in prime time. TNT had 2.32 million, USA had 1.95 million, The Disney Channel had 1.89 million and TBS had 1.57 million.

NBC's "Nightly News" topped the evening newscasts with an average of 8 million viewers. ABC's "World News" was second with 7 million and the "CBS Evening News" had 6 million viewers.

The Top 20

Primetime viewership numbers compiled by Nielsen for June 16-22. Listings include the week's ranking and viewership.

1. "America's Got Talent" (Tuesday), NBC, 11.42 million.

2. "America's Got Talent" (Sunday), NBC, 8.12 million.

3. "NCIS," CBS, 7.82 million.

4. "The Big Bang Theory," CBS, 7.67 million.

5. "60 Minutes," CBS, 6.72 million.

6. "The Bachelorette," ABC, 6.5 million.

7. "NCIS: Los Angeles," CBS, 6.42 million.

8. "Night Shift," NBC, 6.25 million.

9. "Blue Bloods," CBS, 6.19 million.

10. "Dateline NBC," NBC, 6.02 million.

11. "CSI: Crime Scene Investigation," CBS, 5.96 million.

12. "Rookie Blue," ABC, 5.92 million.

13. "Rizzolli & Isles," TNT, 5.81 million.

14. "24: Live Another Day," Fox, 5.63 million.

15. "Mom" (Thursday), CBS, 5.58 million.

16. "Mike & Molly" (Monday, 9 p.m.), CBS, 5.5 million.

17. "Criminal Minds," CBS, 5.35 million.

18. "The Last Ship," TNT, 5.33 million.

19. "So You Think You Can Dance," Fox, 5.32 million.

20. "Mike & Molly" (Monday, 9:30 p.m.), CBS, 5.28 million.

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Comments (1) -

FlashFlood Nickname posted over 2 years ago
I watched "Rising Star" out of curiousity. The voting system isn't fair and totally sucks because they don't allow for voting by phone. I have a cell phone, but it's NOT a Smartphone, and I do NOT have a tablet or any way to vote either for or against a contestant.
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Ratings

Overnights, adults 18-49 for September 22, 2016
  • 1.
    4.0/14
  • 2.
    1.7/6
  • 3.
    1.3/5
  • 4.
    0.9/3
  • 5.
    0.6/2
  • 6.
    0.3/1
Source: Nielsen

Reviews

  • Rob Owen

    Easily fall’s best broadcast network comedy pilot, NBC’s The Good Place offers a clever high-concept premise that’s complemented with intelligent, sometimes absurdist humor. Created by Michael Schur, co-creator of NBC’s Parks and Recreation, The Good Place is a highly serialized series that’s essentially set in heaven and stars Kristen Bell and Ted Danson. NBC made five episodes of The Good Place available for review, and the show not only holds up, but also it improves, deepening characters that initially feel one-note and frequently leaving viewers guessing with cliffhanger endings to many of the episodes. The combination of snappy dialogue and winning but flawed characters makes The Good Place a great bet for fans of smart TV comedy.

  • Maureen Ryan

    Pitch has swagger, for good reason. It gets the big things right; the Fox drama about the first female baseball player in the Major Leagues is one of the year’s most assured and exciting debuts. But part of what impresses about the pilot is also the way it confidently strings together so many small but telling details. Ginny (Kylie Bunbury) is the first woman to be called up from the minors to the big leagues, and no show since Friday Night Lights has done a better job of portraying the internal and external pressures that weigh heavily on young athletes asked to do much more than merely succeed on the field. Pitch will likely do a good job of getting viewers to root for it. The hope is that the show won’t be an impressive, short-lived curiosity, but rather a long-term phenomenon.

  • Kevin Fallon

    In a fall TV season that’s already making a splash for championing diverse, distinctive voices in an array of projects that they created, wrote, and starred in, Better Things on FX stands out. The show is created by, written by, and starsPamela Adlon. She plays Sam Fox, the single mother of three daughters modeled after her own reality-show-ready experience raising three girls in Los Angeles following a divorce. Sam is also, like Adlon, a working actress — on shows both raunchy, a la Californication, and animated for children, like her role on Recess. It’s a refreshingly blunt take on single motherhood without sacrificing the warmth of parental love, portraying the dance between selfishness and selflessness that’s at the heart of being a parent — especially one weathering the hormonal fireworks of a household of four women at different ages.

  • David Wiegand

    The fall TV season doesn’t count as much as it used to — we already know that. But no matter how many retreads the broadcast networks throw at viewers in the next few months, this fall will be memorable because of the premiere of Atlanta on Tuesday, Sept. 6, on FX. The half-hour comedy created by and starring Donald Glover (Community), simply and brilliantly recalibrates our expectations of what a TV comedy is and how black lives are portrayed on the medium.

  • Louisa Ada Seltzer

    The second reboot of the 1980s John Candy movie Uncle Buck, bumped by ABC from midseason, has the same tired jokes you'll find on any second-rate sitcom. Too bad, because Mike Epps is appealing and ABC would be wise to keep him around for future shows, but there’s just not enough to this show to suggest it will last past summer. It also airs against NBC’s America’s Got Talent, summer’s No. 1 program on broadcast, which may make it even harder to find an audience.

  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

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