Tech Q&A

NBCU Labs Seeks Future Of TV, Movies, Parks

Sanjay Macwan, head of NBCU’s new Media Labs, says a key to fostering technology innovation across the company's diverse range of holdings is to start by examining the five "anys" of consumer demands: "They expect any content, anytime, anywhere, on any device and by any means necessary." He also talks about where mobility and interactivity fit in and the sharing of technology with others.
TVNewsCheck,

Sanjay Macwan is on a mission to drive innovation both at NBCUniversal and in the media and entertainment industry at large by leveraging rapidly evolving technologies to enrich the experience of TV viewers, moviegoers and theme park visitors.

Signing on as senior vice president and chief technology officer of NBCU’s new Media Labs organization in January, Macwan is hoping to put in place the right combination of people with the technical savvy and vision needed to take ideas on delivering those rich experiences from concept through prototype to hands-on trials.

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Macwan comes to NBCU from AT&T where he was vice president of the company’s chief technology office and the head the AT&T Technology Council. While there, Macwan showed that it is possible for large companies to overcome institutional barriers that can choke innovation.

Macwan says the lessons he learned at AT&T will serve him well as he pursues his goal of fostering innovation at NBCU.

In this interview with TVNewsCheck Tech Editor Phil Kurz, Macwan discusses his goals for the labs, how content and technology can be combined in new ways to enrich the experiences of customers, where mobility and interactivity fit in and the sharing of technology with others.

An edited transcript:

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Sanjay+Macwan%2C+SVP-CTO+of+NBCUniversal%26rsquo%3Bs+Media+Labs%2C+discusses+driving+innovation+at+the+June+3+grand+opening+of+NBCU%26rsquo%3Bs+Technology+Center+in+Englewood+Cliffs%2C+N.J.
Sanjay Macwan, SVP-CTO of NBCUniversal’s Media Labs, discusses driving innovation at the June 3 grand opening of NBCU’s Technology Center in Englewood Cliffs, N.J.
NBCUniversal has turned to you to head up the new Media Labs organization at its new Tech Center in Englewood Cliffs, N.J. What are your top goals for the lab?

We have three specific objectives. The first is to make sure we are proactively understanding how technologies are evolving and how to exploit them to create new, richer user experiences.

Second, as technology ecosystems rapidly evolve, what kind of unique combination of technologies can we leverage to create new ideas of the assets we have — that is film content, TV content and our theme park business.

Third is really having a firm eye on the future — three to five years out — and to look at transformational initiatives and see how NBCUniversal can play a leading role.

How do you approach incubating tech innovation for media?

There are a number of ways, but one of the key things is to look at how consumers consume our content and what their expectations are. We say there are five “anys” of expectation among consumers. They expect any content, anytime, anywhere, on any device and by any means necessary.

How do we fulfill those expectations? If you look at content creation, content distribution and, ultimately at the end point, content consumption, how do we look at those three pieces and create efficiency and a richer experience across that pipeline.

Can you give me an example?

Yes. There is a tremendous amount of content consumed on mobile devices. Is it possible to make content that is location specific?

I am not announcing any project, but the thought is, if you are in New York City, you have a very specific experience with that content based on your location. The same content could provide a slightly different experience if you are sitting in Beijing, China, or San Francisco.

To do that you have to start when you create the content. You have to think about that attribute and think about how you obtain that content that fulfills that vision.  

From a media technology point of view, are there any synergies between the television, film and amusement park aspects of NBCUniversal that could drive innovation?

I cannot share any examples at this point. We are still in the investigation stage. But clearly, one possibility is film content and creating a physical experience around that in our theme parks.

For instance, if you take one our popular children’s movies, Despicable Me, how do you take that film content and marry that with virtual reality, an augmented reality-type platform, and create a very unique experience in the theme park for our visitors?

The TV industry is working on a new standard, ATSC 3.0. There is more to this standard than just new modulation and encoding. Will the lab contribute technology to this standards process?

Yes, in several areas. One specific example is interactivity. I think there is an interesting dynamic and expectation from the consumer point of view to be able to interact because of how they are interacting with other digital platforms.

What path will the innovations spawned at the lab take to become real-life solutions that can be implemented by NBCU?

One of the key things we are doing very deliberately from the get-go is working with our business stakeholders so we fully understand how some of the technology-driven ideas will fit into overall business strategy and how they can be scaled and brought out for our customers.

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Ratings

Overnights, adults 18-49 for September 29, 2016
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    1.6/6
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    1.2/4
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  • 4.
    0.9/3
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    0.6/2
  • 6.
    0.3/1
Source: Nielsen

Reviews

  • Rob Owen

    Easily fall’s best broadcast network comedy pilot, NBC’s The Good Place offers a clever high-concept premise that’s complemented with intelligent, sometimes absurdist humor. Created by Michael Schur, co-creator of NBC’s Parks and Recreation, The Good Place is a highly serialized series that’s essentially set in heaven and stars Kristen Bell and Ted Danson. NBC made five episodes of The Good Place available for review, and the show not only holds up, but also it improves, deepening characters that initially feel one-note and frequently leaving viewers guessing with cliffhanger endings to many of the episodes. The combination of snappy dialogue and winning but flawed characters makes The Good Place a great bet for fans of smart TV comedy.

  • Maureen Ryan

    Pitch has swagger, for good reason. It gets the big things right; the Fox drama about the first female baseball player in the Major Leagues is one of the year’s most assured and exciting debuts. But part of what impresses about the pilot is also the way it confidently strings together so many small but telling details. Ginny (Kylie Bunbury) is the first woman to be called up from the minors to the big leagues, and no show since Friday Night Lights has done a better job of portraying the internal and external pressures that weigh heavily on young athletes asked to do much more than merely succeed on the field. Pitch will likely do a good job of getting viewers to root for it. The hope is that the show won’t be an impressive, short-lived curiosity, but rather a long-term phenomenon.

  • Kevin Fallon

    In a fall TV season that’s already making a splash for championing diverse, distinctive voices in an array of projects that they created, wrote, and starred in, Better Things on FX stands out. The show is created by, written by, and starsPamela Adlon. She plays Sam Fox, the single mother of three daughters modeled after her own reality-show-ready experience raising three girls in Los Angeles following a divorce. Sam is also, like Adlon, a working actress — on shows both raunchy, a la Californication, and animated for children, like her role on Recess. It’s a refreshingly blunt take on single motherhood without sacrificing the warmth of parental love, portraying the dance between selfishness and selflessness that’s at the heart of being a parent — especially one weathering the hormonal fireworks of a household of four women at different ages.

  • David Wiegand

    The fall TV season doesn’t count as much as it used to — we already know that. But no matter how many retreads the broadcast networks throw at viewers in the next few months, this fall will be memorable because of the premiere of Atlanta on Tuesday, Sept. 6, on FX. The half-hour comedy created by and starring Donald Glover (Community), simply and brilliantly recalibrates our expectations of what a TV comedy is and how black lives are portrayed on the medium.

  • Louisa Ada Seltzer

    The second reboot of the 1980s John Candy movie Uncle Buck, bumped by ABC from midseason, has the same tired jokes you'll find on any second-rate sitcom. Too bad, because Mike Epps is appealing and ABC would be wise to keep him around for future shows, but there’s just not enough to this show to suggest it will last past summer. It also airs against NBC’s America’s Got Talent, summer’s No. 1 program on broadcast, which may make it even harder to find an audience.

  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

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