'Paternity Court' Clearances Hit 92%

The upcoming half-hour syndicated entry from MGM Television's Orion TV Productions will air in all top 50 markets. It's hosted by Lauren Lake and being sold on an all-barter basis in mostly one-year deals.
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Lawyer and TV personality Lauren Lake will be wearing a judge’s robe on Paternity Court when it premieres on Sept. 23. Orion TV Productions has sold the show to stations owned by CBS, Tribune, Sinclair, Hearst and others reaching 92% of TV homes, including in all top-50 DMAs.

But Lake will also tap into her experience as a relationship expert on talk shows such as CBS Television Distribution’s Dr. Phil and NBCUniversal’s Maury.

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“We want to dig into these stories much deeper than any other court show does,” says David Armour, executive producer of Paternity Court. “We’re dealing with substantial issues. On this show, we’re dealing with resolutions about how families can move forward now that they have [paternity test] results.”

On most episodes of the half-hour show, there will be one case, as opposed to two on other court shows. Lake will take time before and after each episode’s test results to speak with her guests.

“Steve Harvey has reinvigorated game shows and talk shows,” says John Bryan, president of domestic television distribution at MGM Television. “We’re hoping to do the same thing with court. The show is a fresh idea in a proven genre.”

Still, the set has a familiar court show feel. Two guests stand at podiums with a studio audience behind them. Lake oversees the case from her desk.

Brand Connections

Paternity Court is taping at the Sunset Bronson studios in Hollywood on a set right next door to CBS Television Distribution’s Judge Judy. It is produced by 79th & York Entertainment and is distributed by MGM Television’s Orion TV Productions.

Orion TV Productions is selling Paternity Court on an all-barter basis in mostly one-year deals. The show will air on many stations as back-to-back half-hours, including on CBS Television Stations’ WLNY New York, Ellis Communications’ KDOC Los Angeles and Weigel Broadcasting’s WCUU Chicago.

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Ratings

Overnights, adults 18-49 for June 23, 2016
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    1.2/5
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    1.0/4
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    0.7/3
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    0.6/2
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    0.5/2
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    0.2/1
Source: Nielsen

Reviews

  • Louisa Ada Seltzer

    The second reboot of the 1980s John Candy movie Uncle Buck, bumped by ABC from midseason, has the same tired jokes you'll find on any second-rate sitcom. Too bad, because Mike Epps is appealing and ABC would be wise to keep him around for future shows, but there’s just not enough to this show to suggest it will last past summer. It also airs against NBC’s America’s Got Talent, summer’s No. 1 program on broadcast, which may make it even harder to find an audience.

  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

  • Dominic Patten

    There are a lot of good things to say about the near-perfect The Night Manager. But it’s best to cut to the core and say that the Susanne Bier-directed miniseries is simply great television. Now, co-production already played in the UK earlier this year where it was a ratings hit and cultural phenomenon. No doubts as to why. The six-part series airing in the U.S. on AMC starring Hugh Laurie, Tom Hiddleston, Olivia Colman and Elizabeth Debicki is worthy of all of the accolades and adjectives with which one can praise a show – and this in an era of TV excellence. The actors are all consistently at their very best here, with Oscar winner Bier never better behind the camera. Watch Night Manager week by week or in one DVR’d binge, but don’t miss the excellence that is this adaptation of John le Carré’s 1993 novel — you will be the lesser for it if you do.

  • Mark Dawidziak

    From the first frame, it's clear that Jackie Robinson is a genuine labor of love. The warmly crafted two-part, four-hour PBS documentary from filmmaker Ken Burns positively glows with its admiration for the man and his accomplishments. Unabashedly positive in its overall approach? Yes, and Burns is somewhat old-fashioned in that regard. He believes that admiration is a good and legitimate reason to compose a biography of someone. He's not going to apologize for that. That doesn't mean you ignore the flaws and frailties. But Burns, like historian David McCullough, maintains that biographies can celebrate worthy American lives, not merely tear them down.

  • Robert Bianco

    NBC is clearly betting a show that’s merely pleasant can survive in a crowded TV universe. And who knows, with Crowded, NBC could be right. Certainly pleasant is in short supply these days. Admittedly, “undemanding” is not exactly a strong endorsement, and NBC is unlikely to build an ad campaign around the show freeing you from weekly commitment pressure. But it’s something. And here’s something else, and something better, Crowded has to offer: Patrick Warburton and Carrie Preston, two of TV's most skilled and appealing actors. Put them together, and you have the strongest inducement to make room for their sitcom. Two may not count as a crowd, but these two just may be enough for Crowded.

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