Production Begins Today On 'Paternity Court'

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Paternity Court, a new courtroom series begins production today with legal and relationship expert Lauren Lake serving as the presiding judge. Nationally syndicated, the 30-minute first run show will premiere this fall in more than 91% of the country, airing five days a week.

Paternity Court is produced by 79th & York Entertainment and distributed by Orion TV Productions (Orion Television), a division of Metro-Goldwyn-Mayer Inc.

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Paternity Court will debut in all of the top 50 markets including: New York, Los Angeles, Chicago, Philadelphia, Boston, Washington, Dallas, Atlanta, Phoenix, Orlando, Detroit and Seattle.  Station groups include: Tribune, CBS, Sinclair, Weigel, Hearst and others, encompassing more than 140 stations nationwide.

In making the announcement, John Bryan, president, domestic television distribution, MGM Television, said: “The issue of paternity has long resonated with audiences across the country and Paternity Court will tell the stories of emotionally life-changing issues beyond the parent/child relationship. Our hope is Lauren Lake’s verdict will inspire litigants to take responsibility for the outcome and provide resolution.”

Paternity Court judge Lauren Lake is a member of New York, New Jersey and Michigan State Bar Associations, and has appeared as a legal and relationship expert on Dr. Phil, Anderson, The Today Show, The View, Dr. Drew on Call,  MSNBC, Nancy Grace, CNN and HLN, among many others.

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Ratings

Overnights, adults 18-49 for May 26, 2016
  • 1.
    0.9/4
  • 2.
    0.8/3
  • 3.
    0.7/3
  • 4.
    0.6/2
  • 5.
    0.6/2
  • 6.
    0.3/1
Source: Nielsen

Reviews

  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

  • Dominic Patten

    There are a lot of good things to say about the near-perfect The Night Manager. But it’s best to cut to the core and say that the Susanne Bier-directed miniseries is simply great television. Now, co-production already played in the UK earlier this year where it was a ratings hit and cultural phenomenon. No doubts as to why. The six-part series airing in the U.S. on AMC starring Hugh Laurie, Tom Hiddleston, Olivia Colman and Elizabeth Debicki is worthy of all of the accolades and adjectives with which one can praise a show – and this in an era of TV excellence. The actors are all consistently at their very best here, with Oscar winner Bier never better behind the camera. Watch Night Manager week by week or in one DVR’d binge, but don’t miss the excellence that is this adaptation of John le Carré’s 1993 novel — you will be the lesser for it if you do.

  • Mark Dawidziak

    From the first frame, it's clear that Jackie Robinson is a genuine labor of love. The warmly crafted two-part, four-hour PBS documentary from filmmaker Ken Burns positively glows with its admiration for the man and his accomplishments. Unabashedly positive in its overall approach? Yes, and Burns is somewhat old-fashioned in that regard. He believes that admiration is a good and legitimate reason to compose a biography of someone. He's not going to apologize for that. That doesn't mean you ignore the flaws and frailties. But Burns, like historian David McCullough, maintains that biographies can celebrate worthy American lives, not merely tear them down.

  • Robert Bianco

    NBC is clearly betting a show that’s merely pleasant can survive in a crowded TV universe. And who knows, with Crowded, NBC could be right. Certainly pleasant is in short supply these days. Admittedly, “undemanding” is not exactly a strong endorsement, and NBC is unlikely to build an ad campaign around the show freeing you from weekly commitment pressure. But it’s something. And here’s something else, and something better, Crowded has to offer: Patrick Warburton and Carrie Preston, two of TV's most skilled and appealing actors. Put them together, and you have the strongest inducement to make room for their sitcom. Two may not count as a crowd, but these two just may be enough for Crowded.

  • Mark Perigard

    WGN America’s new drama Underground might be about the Underground Railroad, but its makers, including executive producer John Legend, aren’t content to coast on a bit of riveting 19th century history. They’ve crafted a caper show with fascinating characters. This is Prison Break on a Georgia plantation, with a dollop of Scandal-size surprises. Underground looks to be the most addictive new show of spring.

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