David Barrett To Receive Golden Mike Award

The Hearst Television chairman-CEO will receive the 2013 Golden Mike Award from the Broadcasters Foundation of America on Monday, Feb. 25, in New York.
TVNewsCheck,

The Broadcasters Foundation of America announced today that it will present its 2013 Golden Mike Award to David J. Barrett, chairman and chief executive officer, Hearst Television Inc., at a gala to benefit the foundation on Monday, Feb. 25, at the Plaza Hotel in New York City. Legendary sports broadcaster Jon Miller will host the event, which will include presentations by comedian, author and talk show host Steve Harvey and “America’s doctor,” Dr. Mehmet Oz.  Iconic singer and actress Darlene Love will perform.

Alan Frank, former president and CEO of Post-Newsweek Stations and winner of the 2011 Golden Mike, and Jordan Wertlieb, president of Hearst Television Inc., will also join the program. The annual gala is the year’s top fundraiser for the foundation, which supports broadcasters who can no longer work due to a catastrophic event, illness or family circumstances. The award honors exemplary service to the industry.

Story continues after the ad

Barrett has led Hearst Television, which comprises 29 television and two radio stations, since 2001. He joined Hearst in 1984 as general manager of the company’s Baltimore radio stations, later adding general manager responsibility for the Hearst Radio Group, and then for WBAL-TV in Baltimore. He was named a vice president of the parent company and general manager of its broadcasting group in 1991, overseeing all Hearst-owned television and radio stations.

Barrett, a director of Hearst Corp., is also a trustee of the trust established under the will of William Randolph Hearst and a director of The Hearst Foundations.  He was inducted into the Broadcasting & Cable Hall of Fame in 2008 and has earned numerous other career honors.

Barrett’s son, Casey Barrett, an Emmy and Peabody Award winner for writing and producing NBC Olympics coverage and the co-founder and Co-CEO of Imagine Swimming Inc., the largest learn-to-swim school in New York City, will pay tribute to his father that night.

Jon Miller, the evening’s emcee, is legendary in the world of sports broadcasting. Known as the “voice of the San Francisco Giants” on the Bay Area’s KNBR Radio and NBC-TV, he has delivered play-by-play coverage of Sunday Night Baseball for 21 seasons on ESPN. Miller was once the announcer for the Baltimore Orioles on Hearst’s WBAL Radio. He has earned broadcast honors from the National Baseball Hall of Fame.

Brand Connections

The Broadcasters Foundation of America has aided hundreds of broadcasters who can no longer work because of medical or other circumstances. Donations can be made as a personal gift to the Foundation and corporate contributions are accepted through the Angel Initiative.

For more information, please visit www.broadcastersfoundation.org, or call the foundation at 212-373-8250.

Tags

Comments (0) -

Marketshare Blog Playout Blog

Twitter

TVNewsCheck

Ratings

Overnights, adults 18-49 for September 25, 2016
  • 1.
    5.5/18
  • 2.
    2.6/8
  • 3.
    1.2/4
  • 4.
    0.9/3
  • 5.
    0.5/2
  • 6.
    0.2/1
Source: Nielsen

Reviews

  • Rob Owen

    Easily fall’s best broadcast network comedy pilot, NBC’s The Good Place offers a clever high-concept premise that’s complemented with intelligent, sometimes absurdist humor. Created by Michael Schur, co-creator of NBC’s Parks and Recreation, The Good Place is a highly serialized series that’s essentially set in heaven and stars Kristen Bell and Ted Danson. NBC made five episodes of The Good Place available for review, and the show not only holds up, but also it improves, deepening characters that initially feel one-note and frequently leaving viewers guessing with cliffhanger endings to many of the episodes. The combination of snappy dialogue and winning but flawed characters makes The Good Place a great bet for fans of smart TV comedy.

  • Maureen Ryan

    Pitch has swagger, for good reason. It gets the big things right; the Fox drama about the first female baseball player in the Major Leagues is one of the year’s most assured and exciting debuts. But part of what impresses about the pilot is also the way it confidently strings together so many small but telling details. Ginny (Kylie Bunbury) is the first woman to be called up from the minors to the big leagues, and no show since Friday Night Lights has done a better job of portraying the internal and external pressures that weigh heavily on young athletes asked to do much more than merely succeed on the field. Pitch will likely do a good job of getting viewers to root for it. The hope is that the show won’t be an impressive, short-lived curiosity, but rather a long-term phenomenon.

  • Kevin Fallon

    In a fall TV season that’s already making a splash for championing diverse, distinctive voices in an array of projects that they created, wrote, and starred in, Better Things on FX stands out. The show is created by, written by, and starsPamela Adlon. She plays Sam Fox, the single mother of three daughters modeled after her own reality-show-ready experience raising three girls in Los Angeles following a divorce. Sam is also, like Adlon, a working actress — on shows both raunchy, a la Californication, and animated for children, like her role on Recess. It’s a refreshingly blunt take on single motherhood without sacrificing the warmth of parental love, portraying the dance between selfishness and selflessness that’s at the heart of being a parent — especially one weathering the hormonal fireworks of a household of four women at different ages.

  • David Wiegand

    The fall TV season doesn’t count as much as it used to — we already know that. But no matter how many retreads the broadcast networks throw at viewers in the next few months, this fall will be memorable because of the premiere of Atlanta on Tuesday, Sept. 6, on FX. The half-hour comedy created by and starring Donald Glover (Community), simply and brilliantly recalibrates our expectations of what a TV comedy is and how black lives are portrayed on the medium.

  • Louisa Ada Seltzer

    The second reboot of the 1980s John Candy movie Uncle Buck, bumped by ABC from midseason, has the same tired jokes you'll find on any second-rate sitcom. Too bad, because Mike Epps is appealing and ABC would be wise to keep him around for future shows, but there’s just not enough to this show to suggest it will last past summer. It also airs against NBC’s America’s Got Talent, summer’s No. 1 program on broadcast, which may make it even harder to find an audience.

  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad