Air Check by Diana Marszalek

Stations Say First Informer Status Is Crucial

More and more states are considering legislation that would help broadcasters stay on-air during an emergency. Illinois and Nevada have passed such laws. The efforts are backed by state broadcasting groups and a suggestion has been floated for a federal law or rule raising the status of broadcasters in emergency situations.
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When the TV stations in Biloxi, Miss., were dangerously low on fuel following Hurricane Katrina, the Mississippi Association of Broadcasters sent a truck loaded with gasoline to the coastal city to keep them on the air.

The delivery never made it. Authorities confiscated the shipment in case some other entity — perhaps, say, a hospital — needed it more. 

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“They came out with guns drawn, and took my truck and took my driver,” says MAB President Jackie Lett. “It was a zoo.”  

The MAB ultimately got fuel to TV stations by hiding small quantities under tarps in the back of pickup trucks.

The incident occurred seven years ago, but it still looms large for broadcasters around the country who say the event demonstrates the need for laws that insure broadcasters’ ability to stay on air during emergencies.

Such laws give broadcasters access to their facilities to do what’s necessary to stay on-air during an emergency — refuel generators and repair damaged equipment, for example, even if the area is off limits to others.

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“The governor can have all the press conferences he wants to have," Lett says "But he’s not preaching to anyone if he can’t get it out over the air."

Illinois, which enacted a “first informers” law just last month, and Nevada are the only two states to have such legislation on the books. Nevada’s law is four years old.

The legislators in both states passed the bills unanimously.

Alabama, Georgia and South Carolina broadcasters are in the process developing similar proposals.

The New Jersey Broadcasters Association’s Paul Rotella says he will ask state legislators to consider such a bill, an idea that is getting particularly good response in the aftermath of Hurricane Sandy.

Rotella also says he would like to see a federal law or rule raising the status of broadcasters in emergency situations. To that end, he has requested the FCC to take up the issue and plans to ask for the National Alliance of State Broadcasters Associations to take up the cause when the group meets in March.

“No one gets the word out like free, over-the-air broadcasters,” Rotella says.

Following Katrina, Sen. Mary Landrieu, a Louisiana Democrat, sponsored a bill that would have given broadcasters across the country “first informer” status, and the greater access to equipment that comes with it.

The bill never made it out of committee.

But the National Association of Broadcasters’ Dennis Wharton says the organization backed Landrieu’s bill at the time. Should a similar proposal be introduced, “it would be something that the NAB would strongly support, given the lifeline role played by broadcasters during emergencies,” he says.  

Under the new Illinois law, individual broadcasters will be able to choose “key personnel” to go through the emergency credentialing process — which is still being developed and will include special training — with engineers likely topping the list, says Dennis Lyle, president of the Illinois Broadcasters Association.

Although an anchor or, say, cameraman may also get credentials, the rest of a station’s news team isn’t as likely.

“This legislation is to get key personnel to a station — not to get reporters to a story,” he says.

Once the credentialing process is completed, the association, along with other emergency responders, will likely stage a mock disaster in a market like Rockford (DMA 134) to see how their plan works, he says.

“This recognizes that we need to talk to them, and they need to talk to us,” Lyle says.

In Nevada, the four-year-old law will enable broadcasters to get first responder credentials, says the Nevada Broadcasters Association’s Bob Fisher.

Designating them as first responders means they will be involved in emergency management plans from the ground up, Fisher says. “It means that we will be working together every day versus all of a sudden in an emergency,” he says.

Two months or so ago, the state’s sheriffs and police chiefs association endorsed a proposed curriculum that would provide broadcasters training as first responders, Fisher says.

The Nevada and Illinois laws are similar in nature, and could be models for other states, he says.

“Nevada and Illinois should not be the only states where broadcasters are considered on an equal level with every other first responder,” Fisher says.  “The fact is that in this country there are still law enforcement agencies and emergency managers that don’t understand there is a difference in being invited to the party and giving the party.”

Whether broadcasters do, in fact, have that parity has been the source of some friction between broadcasters and other emergency workers. Legislation introduced in Mississippi, for example, soon after Katrina got derailed because first responders, “people who put their lives on the line every day,” opposed broadcasters having the same designation, Lett says.

The majority of broadcasters, including those in Illinois, have put that issue aside, adopting the term “first informers” instead.

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Comments (4) -

PhillyPhlash Nickname posted over 4 years ago
Two points. First, "first informer" as a very inelegant, misleading term -- conjures up an imagine of a "snitch" or a "songbird," not a vital conduit of news and information. Second, what broadcasters REALLY should be concerned about is a system that now allows GOVERNMENT to break into their channels to deliver the message directly, without the inconvenient filter of the media. That's the real danger here -- that Big Brother has become the "first informer" -- and compliant corporate-controlled media let it happen.
TVMN Nickname posted over 4 years ago
EAS is generally located in Master Control, not the transmitter plant, so there is some control. Many are programmed to ignore NWS information since stations with news departments run their own alerts. But if a nuke from North Korea was inbound, I think an EAS break-in from the White House is more than welcome. What is not welcome is authorities confiscating fuel, bought and freighted by a broadcasters association, to be used by an entity it was not intended.
PhillyPhlash Nickname posted over 4 years ago
My local police used the EAS to break into cable TV programming for an "amber alert," a lost child who was soon found. I still say that this system is an invitation for abuse by authoritarians and control freaks -- or psyop agents on a mission of targeted harassment, which this instance may have been...
TVMN Nickname posted over 4 years ago
The media is the only way to expedite information. Whether you are a small mom-and-pop station or owned by a conglomerate, you have to abide by federal regulations (CALM, EAS, etc) to get and keep your license. Otherwise, you might as well sign-off in emergencies and not come back.
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Ratings

Overnights, adults 18-49 for September 28, 2016
  • 1.
    2.8/10
  • 2.
    1.9/7
  • 3.
    1.7/6
  • 4.
    1.4/5
  • 5.
    0.6/2
  • 6.
    0.4/1
Source: Nielsen

Reviews

  • Rob Owen

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  • Maureen Ryan

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  • Kevin Fallon

    In a fall TV season that’s already making a splash for championing diverse, distinctive voices in an array of projects that they created, wrote, and starred in, Better Things on FX stands out. The show is created by, written by, and starsPamela Adlon. She plays Sam Fox, the single mother of three daughters modeled after her own reality-show-ready experience raising three girls in Los Angeles following a divorce. Sam is also, like Adlon, a working actress — on shows both raunchy, a la Californication, and animated for children, like her role on Recess. It’s a refreshingly blunt take on single motherhood without sacrificing the warmth of parental love, portraying the dance between selfishness and selflessness that’s at the heart of being a parent — especially one weathering the hormonal fireworks of a household of four women at different ages.

  • David Wiegand

    The fall TV season doesn’t count as much as it used to — we already know that. But no matter how many retreads the broadcast networks throw at viewers in the next few months, this fall will be memorable because of the premiere of Atlanta on Tuesday, Sept. 6, on FX. The half-hour comedy created by and starring Donald Glover (Community), simply and brilliantly recalibrates our expectations of what a TV comedy is and how black lives are portrayed on the medium.

  • Louisa Ada Seltzer

    The second reboot of the 1980s John Candy movie Uncle Buck, bumped by ABC from midseason, has the same tired jokes you'll find on any second-rate sitcom. Too bad, because Mike Epps is appealing and ABC would be wise to keep him around for future shows, but there’s just not enough to this show to suggest it will last past summer. It also airs against NBC’s America’s Got Talent, summer’s No. 1 program on broadcast, which may make it even harder to find an audience.

  • Neil Genzlinger

    Bryan Cranston brings his Tony Award-winning interpretation of President Lyndon B. Johnson to television in an adaptation of the Robert Schenkkan play All the Way, and it’s still quite a sight to behold, just as it was on Broadway in 2014. Nothing beats witnessing this kind of larger-than-life portrayal onstage, of course. But the television version, presented by HBO, offers plenty of rewards, allowing Cranston to work the close-ups and liberating him from the confines of a theater set. Cranston’s performance is a gem — in his hands, this accidental president comes across as an amazing bundle of contradictions, someone who seems at once too vulgar for the job and just right for it.

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