Dmas 85 & 153

Rentrak Adds Three Quincy-Owned Stations

The ratings service adds Quincy's ABC affiliate WKOW Madison, Wis., and NBC-Fox duo of KTTC-KXLT Rochester/Austin, Minnesota-Mason City, Iowa.
By
TVNewsCheck,

Rentrak Corp. today announced a multi-year local TV ratings contract with Quincy Newspapers Inc. for three stations — WKOW (ABC)  Madison, Wis. (DMA 85),  and KTTC (NBC) and KXLT (Fox)  Rochester/Austin, Minnesota-Mason City, Iowa (DMA 153).

"We have used Rentrak in the past for various studies outside of the traditional four sweeps and we have been pleased with their process and approach,” said Chuck Roth, Qunicy’s director of business administration. “They have been easy to work with and prompt with providing the information. We felt the time was right to add their full service in two of our markets, and look forward to expanding our relationship with them."

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Rentrak's television ratings measurement service provides daily measurement of all TV networks nationally and at a granular level for TV stations in all 210 media markets nationwide. The service incorporates information from more than 20 million TV sets and integrates satellite, telco and cable TV viewing data.

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Ratings

Overnights, adults 18-49 for October 16, 2017
  • 1.
    1.9/7
  • 2.
    1.7/6
  • 3.
    1.2/5
  • 4.
    1.0/3
  • 5.
    0.5/2
  • 6.
    0.4/1
Source: Nielsen

Reviews

  • Hal Boedeker

    A reassuring example of older means getting better, Will & Grace struts back to NBC bolder, brassier and bawdier. Some like it tart, and this frisky frolic delivers. After eight seasons, the beloved sitcom felt faded at its fade-out in 2006. Eleven years later, the revival packs a joyous kick in the first three episodes. Here is an absolutely fabulous return with four irrepressible stars who are at their very best. Will & Grace is no gay dinosaur.

  • Matt Zoller Seitz

    Wonderstruck, overstuffed, corny and stirring, Star Trek: Discovery stands tall alongside the best-regarded incarnations of the Trek franchise even as it raids elements from all of them (including the recent J.J. Abrams film series, which Paramount says is set in an alternate timeline that has nothing to do with this one). Though handsomely produced, the show’s imagination seems to have been slightly reined in by commercial mandates — namely, reinvigorating Trek as a TV property and serving as a marquee title that would lure customers to CBS All Access, the network’s subscription-only service.

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