Tech spotlight

Griffin Going Green With New Tulsa Digs

The broadcaster is putting the finishing touches on a new 57,000-square-foot facility that will house its KOTV and KQCW. It’s equipped with geothermal heating and cooling, LED studio lighting and features a 5,400-square-foot studio with gear from Grass Valley, Samsung, Solid State Logic, Vizrt and Avid, among others.
By
TVNewsCheck,

When searching for a sign of a rebounding broadcast economy, one need look no further than Tulsa, Okla., where Griffin Communications is completing a 57,000-square-foot HD broadcast center on a three-acre site to house CBS affiliate KOTV, CW affiliate KQCW and their more than 185 employees.

Begun a year ago and set to go live next Jan. 19, the building is a model of "green" technology. It features geothermal heating and cooling and LED studio lighting that runs cool and uses less power.

Story continues after the ad

“The LED lighting instruments on our set will reduce our lighting power requirement alone by over 90% from previously-employed incandescent and fluorescent fixtures,” says David Griffin, CEO of Griffin Communications, which also owns KWTV Oklahoma City.

At the heart of the facility is 5,400-square foot studio, equipped with four Grass Valley LDK 4000 Elite HD cameras. It will be used to produce a wide variety of programming, including 39.5 hours of local news each week.

The studio is highly sound-proofed, using multiple layers of sheet rock and sound insulation in the walls and ceiling, according to Gerald Weaver, the station’s director of engineering. The audio infrastructure is all digital.

The news set was designed by FX Design Group. FX's Glenn Anderson said the set is unique, explaining that it is constructed in a circle within the rectangular studio. “It’s pretty close to 360 degrees or beyond,” he says. “By beyond, I mean it does not follow the studio walls. There is a multipurpose area behind the set that can be used for bands or other kind of shoots.”

Sponsored Content

The set includes a window behind the anchor desk that allows shots into the adjoining 7,000-square-foot newsroom.

The choice of LED lighting — which include Litepanels 5600K 1x1 panels and Sola 4 and 6 Fresnel fixtures — positively affected the entire project, including the air conditioning, studio height, foundation and structural steel usage.

And with LED lighting, the set should keep its good looks longer, Anderson says.

“Sets use plastic laminates. Temperature and humidity changes have a drastic effect on those.... They can expand and contract. Some studios can vary by 20 degrees in a given day and it can cause the set to bubble. That won’t happen here."

For the presentation of video and graphics, the set has embedded 55- and 35-inch Samsung LCD panels and 65- and 46-inch NEC LCD panels.

“We would like to use technology to our advantage and have a quicker, flashier newscast,” Weaver says.

The Rygan Corp.’s high-performance Geo Xchange geothermal system should be able to heat and cool the building with the exception of the technical cores, which will still use conventional air conditioning. The entire facility will use 110 tons of air conditioning capacity.

The system includes 32, 500-foot wells in a geothermal field under the employee parking lot.

The system circulates water from the building into the geothermal field, where it’s always 64 degrees. In the field, the water is either heated or cooled to 64 degrees before being pumped back inside the building and into overhead heat exchangers.

Because of the wells, it cost twice as much as a conventional system to install, but only half the cost to operate.

The plant is a mix of old and new gear and software, according to Weaver.

“All of the production equipment is new,” he says. “The switcher is the new Grass Valley Kayenne. Audio is a C10 digital console by Solid State Logic. All the routing and the majority of master control is new, with the exception of the file servers, which are Grass Valley KT servers, and the Miranda NV5100MC master control system. We are already using it to deliver HD syndicated programming and commercials.”

For graphics, the station is using a Vizrt Trio in production control and Vizrt Ticker3D in master control, Weaver says. “We’ve had the Vizrt gear for two and half years, but have been using it in SD mode.”

The WSI weather system needs a simple software upgrade, he says. “We may add new weather facilities before the HD launch, but I can’t talk about that yet.”

In the newsroom, the Avid Isis editing system is new, he says. “Most of the existing gear there is already HD capable. It will just be a matter of switching the gear to the HD mode, rather than the 16 x 9 SD mode being used now.”

The newsroom has also added two Grass Valley K2 Summit 3G server frames and several terabytes of storage capacity to its existing complement of K2 servers that have been in use for several years. The new servers will be used in tandem with a Harris ADC playout automation system to handle incoming and outgoing programming and news feeds as digital files.

The facility, which includes a heliport, is located at 303 North Boston Avenue in the Brady Arts District and is part of a renaissance of downtown Tulsa.

Tags

Comments (0) -

The Market

Symbol Last Change (%)
Nasdaq 3502.12 +0.00 (+0.00)
NYSE 9598.27 +10.73 (+0.11%)
S&P 500 1669.16 +2.87 (+0.17%)
Updated 05/22 6:29a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 20, 2013
  • 1.
    2.9/8
  • 2.
    2.1/6
  • 3.
    1.9/5
  • 4.
    1.5/4
  • 5.
    0.6/2
  • 6.
    0.2/1
Source: Nielsen
Reviews
Opinions
Features
  • Tom Conroy

    NBC’s new sitcom Save Me, starring Anne Heche as alcoholic housewife who begins receiving what she thinks are messages from God after a near-death experience, seems to be striving for the pungency of cable satires like HBO’s Enlightened and Showtime’s Weeds. But its premise often makes it feel like something out of the era of situation-heavy sitcoms like Bewitched.

  • Mike Hale

    Motive, a Canadian crime drama beginning on ABC, reveals early the who did what to whom; it’s the why that’s held for the climax. It’s reasonably smart, reasonably interesting and reasonably well acted without being particularly good. You might enjoy it as a low-key alternative to hyped-up American cop shows, or it might strike you as a mingy and borderline dull reworking of cop-show formulas. Either way, it’s likely to stick around: a second season has been ordered in Canada, and the price point for ABC is probably pretty low.

  • Hank Stuever

    PBS's four-part Constitution USA With Peter Sagal rides along with the humorous host of NPR's popular Wait, Wait . . . Don't Tell Me! quiz show as he traverses the nation in a too-cheeky-by-half attempt to find and narrate evidence of the U.S. Constitution in glorious action. This mostly means Sagal interviews legal experts, historians and even the people who advocate those low-flow toilets that drive libertarians ape. He also hangs out with gun proponents, medical marijuana sellers and the like, while trying to look casual. Some may find Constitution USA is a fascinating and informative romp, chuckling right along with Sagal. I found myself feeling a tad sorry for his interview subjects, who seem to have been coached and goaded into matching his repartee.

  • Ed Bark

    Here's a man who's accomplished the seemingly impossible — making Lewis Black seem upbeat and Larry David positively cheery. He's Marc Maron, real-life host of the podcast WTF with Marc Maron and star sour ball of IFC's darkly amusing new Maron which the network describes as a "fictionalized version of Marc's life." Probably not that fictionalized, though. Maron will probably never be wildly famous, which likely wouldn't please him anyway, but Maron should put him more firmly on the map as a seriously funny guy who takes in stray cats but swears off dogs because they're "too needy." Take it from him, "If there's gonna be somebody crying and panting in my house, it's gonna be me." Meow to all that.

  • Matthew Gilbert

    Why, on so many levels; why? It seems tragic that, given the number of comedy writers out there, ABC didn't come up with a stronger vehicle than Family Tools. The show is just another set of prefab sitcom tropes pasted together with cheap jokes. The ensemble, led by Leah Remini and J.K. Simmons, has as much chemistry as an organic farm.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad