dma 2

KNBC Los Angeles Expands Noon News

The NBC O&O is also making staffing changes to its early morning news show Today in LA with the addition of Michael Brownlee.
By
TVNewsCheck,

KNBC Los Angeles is expanding its NBC4 News at Noon to a full hour and shuffling its anchor lineup.

The NBC Owned Television Stations outlet is also making staffing changes to its early morning news show Today in LA with the addition of Michael Brownlee. He will co-anchor the show with Alycia Lane, who’s replacing Kathy Vara. Vara is now the station’s weekend news anchor.

Story continues after the ad

KNBC, like other NBC Owned Television Stations, has been undergoing dramatic changes since Valari Staab joined the company just over a year ago. This fall, KNBC and other NBC stations are adding two new syndicated talk shows to their afternoon lineups: CBS Television Distribution’s Jeff Probst and NBCUniversal’s Steve Harvey. The shows will lead into Warner Bros.’ long-running Ellen.

At KNBC, Carlston has brought in 16 new employees to the station’s newsroom since joining the company about a year ago. That includes Todd Mokhtari, who joined the station as VP of news a few months ago.

“It’s part of NBC4’s culture to produce high-quality news content for Southern California’s unique audience,” said Mokhtari, in a statement. “These changes reflect our priority to deliver on that tradition every day, every newscast.”

Brand Connections

Tags

Comments (0) -

Marketshare Blog Playout Blog

Twitter

TVNewsCheck

Ratings

Overnights, adults 18-49 for February 7, 2016
  • 1.
    32/70
  • 2.
    0.5/1
  • 3.
    0.4/1
  • 4.
    0.4/1
  • 5.
    0.3/1
  • 6.
    0.2/0
Source: Nielsen

Reviews

  • Gail Pennington

    The world is ending. How funny is that? Pretty darn funny, at least as depicted in You, Me and the Apocalypse, a British import making its U.S. debut Thursday on NBC. But this isn't a flat-out comedy. In classic British style, it's also weird and dark, with an uncomfortable premise and characters who are quirky at best, horrible at worst.

  • Hank Stuever

    In the past two years, the WGN America cable channel, which was forever known to basic cable subscribers for baseball games and sitcom reruns, redefined its business plan and ordered up some of them fancy-style original drama series to add to its schedule. Outsiders is a notable leap forward for the network, as taut and intriguing and artfully conceived as any of the pretty-good series I’ve reviewed in the past year. You could proudly serve it alongside Sons of Anarchy, Rectify or Justified, and your guests might not taste the difference. With this show, WGN America is asserting its right to make provocative television. The fight for viewers’ attention is getting bloodier.

  • Ed Bark

    FX’s male-centric misery index remains very much alive and suffering, even without Rescue Me. The network and its offshoot, FXX, still provide homes for Louie, You’re the Worst, Man Seeking Woman and Sex&Drugs&Rock&Roll. But all are pre-serpent Gardens of Eden compared to FX’s Baskets, in which Zach Galifianakis (it’s bad enough having to repeatedly type his name) plays perhaps the saddest sack in TV series history. Baskets shows no signs of melting into anything close to gooey sentimentality. Its trials and tribulations pole vault over those on HBO’s Girls, but without getting all whiny and preachy about it. Zach Galifianakis, Louie Anderson and Martha Kelly fit their roles like the thick rubber gloves used in emptying human waste from portable johns. What fine messes they’re in.

  • Tom Conroy

    Angel from Hell is a goofy new sitcom from CBS starring Jane Lynch. It’s reminiscent of the wacky premises of the supernatural sitcoms of the ’60s, and it clashes with the PG-13 humor required in the ’10s. But the decent jokes, fast pace and hard-working cast — with Lynch doing most of the heavy lifting — make the half hour pass quickly. Although it’s unlikely that the comedy’s situation has what it takes to power a full season, the show is probably worth watching at least once, if only as an oddity.

  • Maureen Ryan

    Given the critical and creative success of Mr. Robot, one would be forgiven for hoping USA’s next high-profile offering, the sci-fi drama Colony, would be similarly bracing and mold-breaking. Colony does have a few things going for it, most notably Lost veteran Josh Holloway as the patriarch of a family in post-invasion Los Angeles. But in general, this series is frustratingly patchy and generic — unwilling to grapple in any consistent way with the moral and political implications of its premise — and key elements of the story remain disappointingly underdeveloped.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad