Jessell At Large

What's On My Mind As 2012 Begins

Besides the outcome of the BCS Championship and NFL playoffs, there are a number of issues that deserve our attention: Can dereg be too much of a good thing?  ~~ The hyprocrisy of the American Television Alliance and some of its cable MSO members. ~~ The move by CBS from station seller to buyer. ~~ Why aren't CBS and ABC in the mobile DTV game? ~~ Blair Levin’s belief that the Internet is more American than broadcasting. ~~ TV stations’ burgeoning political ad windfall from Republican presidential candidates.
TVNewsCheck,

For the first column of the year, it would be altogether fitting and proper for me to give you a pep talk pointing out the positive economic trends, technological developments and industry initiative that will make 2012 a winner for broadcasting. But TVB has already done that. So what I think I'll do is comment of several matters that have been on my mind over the holidays and that don't quite rise to the level of their own columns.

Can dereg be too much of a good thing? Although they rail against it, broadcasters really like government regulation as long as it the right kind of regulation. This truth was brought home by the NAB's glib dismissal of the dereg bill floated last month by Rep. Steve Scalise and Sen. Jim DeMint.

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The measure would eliminate all the broadcast ownership rules and toss out the compulsory license along with must-carry and retransmission consent that depend on the license.

If enacted, the legislation would rock the regulatory foundation of broadcasting and cable. That's way too scary for many broadcasters. They don't want any tampering of the retrans/must-carry regs, especially now that they have turned retrans into a nice revenue stream. And a lot of broadcasters are comfortable with the ownership rules just as they are.

But a wholesale deregulation bill is something that broadcasters should think about. Most broadcasters could get along at least as well as they do today without the compulsory license and retransmission consent. If those government artifices went away, they would be replaced with a conventional copyright regime that would turn each TV station into a local cable network. And like a cable network, the station could negotiate for programming fees just as they now do for retrans fees. It's all the same. And cable networks get a lot more money per rating point via copyright than TV stations do via retrans.

The only stations that get hurt in this brave new world are those that are too weak or too unpopular to negotiate for carriage on cable. These are the ones that now rely on must carry. You've got to ask yourself: If they don't have enough viewership to get carriage on their own merit, why should the government mandate it? Plus, must carry has always been constitutionally suspect.

I understand that the Scalise-DeMint legislation was cooked up by cable operators trying to gut broadcasters' retransmission rights (see below), but they may be wrecking a system that could be replaced by another than puts them at an even greater disadvantage.

Lobbyist, heal thyself. The American Television Alliance is the faux-grassroots organization of cable operators and networks that is pushing for retrans reforms so they can better withstand broadcasters' demands for retrans fees.

Among its tactics is to scream every time a broadcaster and cable operator fail to reach a retrans agreement and point out how much pain the loss of broadcast signals is causing the affected citizenry.

One problem for ATA is that it hasn't had much to scream about. Virtually all the retrans contracts that expired at the end of 2011 were quietly renewed as usual.

Another problem is that the biggest and ugliest carriage dispute of the holiday season had nothing to do with retrans. It was Time Warner Cable's refusal to meet Cablevision demands for higher fees for its two MSG regional sports networks in New York, thus depriving local fans of access to their beloved Knicks and Rangers.

The spat is nasty, with Time Warner Cable's Glenn Britt at one point saying that sports channels should be relegated to pay tiers.

And, yes, you lovers of irony, Time Warner Cable and Cablevision are both members in good standing of the American Television Alliance.

What's good for the goose... Cable operators who can't stand the thought of paying the local network affiliates the same as they pay TNT or TBS also kvetch that it's not fair that two affiliates in a market working together under a shared service agreement may negotiate jointly for retrans payments. It's two against one, they whine to the FCC and whomever they can get a meeting with on the Hill.

Well, here's something the lawmakers and regulators may not know. Time Warner Cable, the fourth largest satellite/cable operator (12.2 million subs), represents Bright House Networks, the 10th largest satellite/cable provider (2.1 million subs), in all retrans negotiations. That's quite a lot of negotiating clout in the hands of Mr. Britt and company.

And, yes, you lovers of irony, Bright House is also a member of the American Television Alliance.

CBS goes from station seller to station buyer. It was good to see some action in the station trading market in the last few months of 2011. It shows that there are still strong believers like Scripps and Sinclair willing to make big bets on the future of the business by paying fairly high cash flow multiples (9 or 10 times, by my reckoning). Sinclair was the most aggressive buyer, laying down nearly $600 million for the Four Points Media and Freedom groups.

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Comments (7) -

Rocker Nickname posted 5 months ago
I think if there were no must-carry, cable operators could end up payingABC/CBS/NBC/Fox/Univision stations more, but those would be the only stations carried at that point. Probably PBS (one per market - privilege of being carried but low/no cash). Everybody else out of business.
PhillyPhlash Nickname posted 5 months ago
Networks wouldn't have to concern themselves with mobile DTV if all sides of the industry agreed that local broadcast TV stations should be available free and clear, with no registration required, under any eventual mobile DTV scheme -- making OTA the entry level freebie that will ensure a mass audience, while serving as the bait for pay TV channel options for those who register and pay the fee. Mark my words: any scheme that requires viewers to register for free over the air TV will provoke a huge outcry from the public and from elected officials. Registration will be rightfully condemned as electronic media Big Brotherism. The best way to ensure OTA broadcast TV's primacy as a mass medium is to keep it free and clear -- regardless of whether signal can be received in a moving vehicle. And this talk of making viewers register to watch OTA DTV at home, as raised by Arthur Greenwald in a comment published here yesterday, is downright creepy, if not fascist. Why is the industry hell bent on throwing the baby out with the bath water when it comes to mobile?
Rocker Nickname posted 5 months ago
It's the only way to make it a business - without user data (this is 2012), mobile DTV will never be more than pie in the sky.
PhillyPhlash Nickname posted 5 months ago
Gee, makes me wonder how broadcast TV has remained the primary mass medium in the world all these years without requiring viewers to register. Seems like there are other ways to measure audience without forcing all viewers to give up their personal data. You don't have to register to buy groceries but many consumers sign up for the discounts. There are other ways to measure audience besides putting a gun in people's backs.
TVVet Nickname posted 5 months ago
Didn't the Open Mobile Video Coalition (OMVC) measure mobile audiences without registration via Rentrak during trials in DC in the past few years? If my memory is serving me, that's the way it went down so it seems like measurement isn't the issue so much as whether the content is streaming or on-demand and if it's ad-supported or subscription-based (or some hybrid of these elements).
D BP Nickname posted 5 months ago
As you correctly observed, Harry, the spectrum reallocation is more about political ideologies than it is about a supposed spectrum shortage. As I've often stated, with some 1500 MHz of government spectrum potentially waiting to go on the auction block, why would anyone bother with 120 MHz of spectrum already occupied by TV broadcasters? Unless it is to irreparably harm the broadcasting industry. This appears to be the true agenda of Blair Levin & Co.
Curious Nickname posted 4 months ago
I think that this will be the first and last national election cycle where broadcasters will reap the financial bonanza resulting from the Citizens United decision. I suspect that enough politicians of all persuasions will get savaged by the virtually unlimited amount of money available for and the unregulated nature of 'Issue Ads' that there will be bi-partisan support for legislation imposing (or re-imposing) limitations.

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2778.79 +0.00 (+0.00)
NYSE 7427.74 +0.00 (+0.00)
S&P 500 1295.22 +0.00 (+0.00)
Updated 05/21 9:06a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 17, 2012
  • 1.
    3.0/9
  • 2.
    2.5/7
  • 3.
    2.4/7
  • 4.
    1.5/4
  • 5.
    1.1/3
  • 6.
    0.3/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

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