Air Check by Diana Marszalek

New Site Asks: 'Whatever Happened To...'

Chris Buck, Larry Chollet and Steve Ives are starting a new nonprofit, RetroReport.com, that will examine high-profile stories from the past to find out if they were true and what has happened since. They hope the site will educate people to be more critical about what they see on TV.
By
TVNewsCheck,

Remember when those Mad Cows had you scrambling to analyze your local food supply? Or, the time you ran to interview the folks living in the shadows of potentially cancer-causing power lines?

Those and countless other big stories, often aired with a sense of urgency, have long since fallen from the TV news radar, inevitably giving way to the Next Big Thing that captivates media and their audiences.

Story continues after the ad

Now, Chris Buck, a self-proclaimed New York “news junkie," has teamed with former newspaper reporter Larry Chollet and TV documentarian Steve Ives to form Retro Report, a nonprofit that would produce follow-ups on once-big stories like crack babies, Chandra Levy and biospheres.

“The news cycle moves so fast that we never see an end to any story,” Buck says. “We are an investigative news project, but it is retrospective investigative news.”

The video segments, six to nine minutes long, would be available to all on the venture's website, retroreport.com. A rudimentary version of the site is already up and running with "trailers" of the some of the dozen or so stories now in production.

Buck is now shopping for a managing editor, and hopes to get the first batch of videos online within the next few weeks.

Buck worked as a TV editor for the National Basketball Association before taking over his family’s Peter and Carmen Lucia Buck Foundation (Peter Buck, Chris's father, was founder of the Subway sandwich chain).

He says he has received a private grant to get Retro Report off the ground, but would not identify the source other than to say it was not the family foundation.

Lending credibility to the venture is Ives who is the principal producer of the segments. Over the past two decades, he has created a series of historical documentaries, including the The West for PBS in 1996.

Other films he has directed for PBS's American Experience series include Lindbergh, Seabiscuit, Kit Carson, Roads to Memphis and Panama Canal. He is currently working on a film about George Armstrong Custer, which is scheduled to appear on PBS next year. And he's also worked with Ken Burns as a consulting producer on The Civil War and Baseball.

Ives says Retro Report piqued his interest. “As someone with a background in historical filmmaking, I was also interested in the way hindsight could help generate a fresh approach to media criticism, and dissect the way news is presented and has shaped perceptions of important events,” he says.

As Buck tells it, the idea for Retro Report dates back about 15 years when he and his dad were stopped by a local newscast promo asking, “Is your water killing your children?”

“Dad and I got to talking about the advantage newscasters have being able to tease and be coy and not have to answer later on,” says Buck. “They never have to follow up. They never have to answer for their hyperbole.”

Buck envisions the website evolving into a TV news library, replete with updates, clips and resources to track stories back in time. Users will even be able to contribute and comment on content in a Wikipedia sort of way.

What that means is that users could watch a Retro Report video on, say, mad cow disease and then click through layers of information about the story, down to the location of the farms on which mad cows lived.

And Buck hopes the site will educate people to be more critical about what they see on TV.

“If we understand that the sky wasn’t falling in when they said power lines caused cancer, if we can see where that ended up today and see it’s really another low-level risk … then we see the hyperbole,” Buck says. “So when someone comes on our TV tonight and says grass is cancerous we are going to say, ‘Wait.’ ”

What's unclear is how Retro Report expects to sustain itself. Buck is hoping to entice foundations to step in when the seed money is gone.

“This is a new media venture that is entirely Web-based, so as such there are no real models for how it will play out," Ives says. "But I think people have a genuine curiosity about these stories, and will be captivated by a balanced and insightful new take on them." 

“We are a nonprofit venture, which I think is critical to our ability to remain objective and credible,” Ives says.

Al Tompkins, the Poynter Institute's senior faculty for broadcasting and online, has spoken with Buck about the project. He says he is all for the concept of Retro Report, especially in light the abundance of unanswered issues out there.


 

Diana Marszalek writes about local TV news every other week in her Air Check column. You can reach her for comment on this column or with ideas for upcoming ones at diana.marszalek@verizon.net. For other Air Check stories, click here.

Edit Article

Tags

Comments (1) -

Oldbroadcaster Nickname posted 6 months ago
Whatever happened...to Chris Buck? Great idea....best of luck... oldtimers who would prefer to help ....from 1947 broadcasting...a good education in broadcasting....

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2778.79 -34.90 (-1.24%)
NYSE 7427.74 -52.69 (-0.70%)
S&P 500 1295.22 -9.64 (-0.74%)
Updated 05/21 8:44a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 17, 2012
  • 1.
    3.0/9
  • 2.
    2.5/7
  • 3.
    2.4/7
  • 4.
    1.5/4
  • 5.
    1.1/3
  • 6.
    0.3/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad