Weekly syndicated ratings roundup

'Judy' Is Tops As Sweep Gets Underway

The No. 1 court show is also syndication’s top performer as the first week of the November sweep comes to a close on Oct. 30. The strong showing came despite competition from World Series baseball, which preempted Judy and other strips in some markets, and an early snowstorm that knocked out power in parts of the Northeast.
By
TVNewsCheck,

The November sweep (Oct. 27-Nov. 23) got underway with Judge Judy (CTD) scoring a new season high and shooting to the top of the syndication standings in the week ending Oct. 30.

The strong showing came despite competition from World Series baseball, which preempted Judy and other strips in some markets, and an early snowstorm that knocked out power in parts of the Northeast.

Story continues after the ad

Judy led all shows in syndication with a 7.1 national rating, up 6 from the week before, and up 69 from last year at this time. On the first day of the sweep, Oct. 27, Judy clocked a 7.5, up 12% from the prior session.

Court Shows

Among other court shows, Judge Joe Brown (CTD) grew 4% to a 2.8; People’s Court (WBDTD) was unchanged at a 2.0; Judge Mathis (WBDTD) tacked on 6% to a 1.7; and Judge Alex (Twentieth) was flat at a 1.6.

Talk Shows

Dr. Phil (CTD) was the No. 1 talk show for the sixth time in seven weeks, including one tie, with a 4% jump to a 2.9 in households, and a 29% spike among women 18-34. Dr. Oz (Sony) added 8% to a second-place 2.8; Live with Regis and Kelly (Disney-ABC) rose 4% to a 2.7 in the third-from-last week of co-host Regis Philbin’s long run; Maury (NBCU) was unchanged at a 2.3; and Ellen DeGeneres (WBDTD) picked up 5% to a 2.3.

Rachael Ray (CTD) had the biggest increase of any talker, surging 13% to a new season high 1.7. On Day 1 of the sweep, Ray cooked up a 20% increase to a 1.8 with an appearance by famous chef Emeril Lagasse.

The Doctors (CTD) improved 7% to a 1.5; while Jerry Springer (NBCU) also gained 7% to a 1.5 and rocketed up 43% among women 18-34.

Freshmen Shows

In its 17 metered markets, slow rollout Access Hollywood Live (NBCU) held steady week to week with a 0.8 rating/3 share average while leaping 43% to a new season high 1.0/4 in Los Angeles.

Among the freshmen class, the show with the biggest increase by far was Excused (CTD), a new dating show in latenight, which surged 40% from the week before to a new season high 0.7 in households and saw double-digit gains in every key female demo.

Anderson (WBDTD), a new talk show, was preempted several times by World Series baseball and dipped 7% from its season high in the prior session to a 1.3. We the People with Gloria Allred (Entertainment Studios) was up 20% to a new season high 0.6; while Jeremy Kyle (Debmar-Mercury) was flat at a 0.5.

Rookie off-net sitcom Big Bang Theory (WBDTD) was unchanged at a 5.1; 30 Rock (NBCU), which airs in mostly lower rated late fringe time periods, remained at its season high 1.4; It’s Always Sunny in Philadelphia (Twentieth) was flat at a 1.2; while Till Death (Sony) was up 17% to a 0.7.

Magazine Shows

In access, Access Hollywood (NBCU) and The Insider (CTD) were the only magazines to outperform the previous week. Access Hollywood gained 6% in households to a 1.9, and 40% among women 18-34; The Insider climbed 6% in households to a 1.7, and 14% among women 18-49.

Mag leader Entertainment Tonight (CTD) gave back 3% from its season high the week before to a 3.8; Inside Edition (CTD) sank to a new season low, losing 9% to a 2.9; TMZ (WBDTD) was flat at a 1.8; while Extra (WBDTD) was preempted numerous times by the World Series but nevertheless held steady at a 1.5.

Game Shows

Among games, Wheel of Fortune (CTD) and Jeopardy (CTD) were unchanged at 7.0 and 5.9, respectively. Family Feud (Debmar-Mercury) finished up 7% at a new season high 3.0; and Who Wants to Be a Millionaire (Disney-ABC) was up 4% to a new season high 2.6.

Off-Net Sitcoms

Among off-net sitcoms, Two and a Half Men (WBDTD) fell 2% to a 5.9; Family Guy (Twentieth) inched up 3% to a 3.9; How I Met Your Mother (Twentieth) rose 6% to a 3.4; while Seinfeld (Sony) and Friends (WBDTD) both advanced 4% to a 2.5.

Off-Net Weekly Hours

Law & Order (NBCU) continued to top the off-net weekly hours with a 6% rise to a 3.3. Criminal Minds (CTD) followed with a 4% uptick to a 2.9; Without a Trace (WBDTD) spurted 24% to a new season high 2.6; Monk (NBCU) was flat at a 2.4; while Law & Order: Special Victims Unit (NBCU) spiked 21% to a new season high 2.3.

Edit Article

Tags

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2778.79 -34.90 (-1.24%)
NYSE 7427.74 -52.69 (-0.70%)
S&P 500 1295.22 -9.64 (-0.74%)
Updated 05/21 8:22a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 17, 2012
  • 1.
    3.0/9
  • 2.
    2.5/7
  • 3.
    2.4/7
  • 4.
    1.5/4
  • 5.
    1.1/3
  • 6.
    0.3/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad