TVNewsCheck Focus On Washington

Good And Bad In FCC's New Disclosure Plan

Tomorrow, the FCC will proffer a new batch of disclosure rules to replace the ones it passed in 2007 but hasn’t been enforcing. Like the 2007 rules, the proposed ones call for more detailed programming reports from stations so the FCC can better assess whether they are meeting public interest obligations. But the new ones are not as demanding as the 2007 ones. Stations would still have to put their public files online and, unlike before, include political advertising records showing the purchases of time by candidates, PACs and other political advocacy groups.
By
TVNewsCheck,

At its open meeting tomorrow, the FCC, led by Chairman Julius Genachowski, is expected to throw out its dormant 2007 "enhanced disclosure" rules that raised the ire of broadcasters, but it's also expected to propose a new set of disclosure obligations that broadcasters may find equally upsetting.

Like the 2007 rules, the proposed ones call for more detailed reports from stations on the programming they air so that the FCC can better assess whether they are meeting their obligation to serve the public interest. But the proposed disclosures are not as demanding as the 2007 ones.

Story continues after the ad

At the same time, the FCC is proposing to modify and expand the requirement in the 2007 rules that stations place their FCC-mandated public files online for easier access.

Most important, stations would have to include in the online files political advertising records showing the purchases of time by candidates, PACs and other political advocacy groups. The agency is also proposing that the online files be kept on an FCC-hosted website.

The proposals would advance through two parallel proceedings — the programming disclosures in a Notice of Inquiry and the online requirements in a Further Notice of Proposed Rulemaking.

Requiring just one more round of comments and reply comments, the Further Notice could be brought to a vote on final rules early next year.

Backers of the 2007 rules and other advocates for greater transparency for broadcast licensees are backing the FCC's new approach, having been assured by Genachowski’s office that both proceedings will be on a fast track.

"We were told this is a high priority and the FCC will move it quickly without any undue delay," says Corie Wright, attorney for Free Press. "It will be a matter of months, not years."

Free Press and other advocacy groups formed the  Public Interest, Public Airwaves Coalition (PIPAC) which is considered the driving force behind the new proposals.

In 2007, the FCC, led by former Chairman Kevin Martin, adopted the "enhanced disclosure’’ rules, which included a mandate that stations prepare elaborate quarterly reports on all the programming they aired in a variety of "public interest" and local programming categories.

The reports on Form 355 would have superseded the relatively spare quarterly issues/program lists that stations now must maintain.

The 2007 rules also require stations to post their public files on their own websites or on the website of their state broadcast association.

It was all too much for broadcasters, who complained about the paperwork burden and petitioned the FCC for reconsideration and challenged the rules in the U.S. Court of Appeals in Washington. The rules also got hung up in the Office of Management and Budget, which routinely assesses the burden new federal regulations will have on businesses.

Without OMB approval, the FCC never enforced the rules. "The FCC  recognized that its form was far too complicated and that it would have forced stations to go out and hire someone just to fill out the form,” says David Oxenford, an attorney with Davis Wright Tremaine.

Tomorrow's actions are the FCC response to the petitions for reconsideration.

The FCC’s actions are motivated in part by the  agency’s "Report on the Information Needs of Communities" released in June. That report concluded that the agency should eliminate the "enhanced disclosure’’ rules, but also urged it to move ahead with getting public files online.

It said that a new streamlined, Web-based form that would require broadcasters to provide programming information based on a composite or sample week might be a good substitute.

Picking up on the recommendation, PIPAC has been pushing for a new program reporting system requiring information for two composite weeks per quarter selected by the FCC. The reports would be tailored so that they could be easily posted, compiled and accessed online.

According to PIPAC FCC filings, the reports would disclose what stations are airing in "core" categories, including "local news, local civic/governmental affairs [and] local electoral affairs."

Under current FCC rules, stations must maintain a mass of information in their public file and make it accessible to anybody who walks in the door.

The required information includes FCC applications, FCC authorization and signal contour maps, ownership reports and related material, EEO reports, letters and email from the public, FCC children’s programming reports, commercial limits certification, FCC consumer education quarterly report, the quarterly issues/programs lists, DTV transition reports, a political file, joint sales agreements, time brokerage agreements and a station’s must-carry or retransmission consent election.

"For a long time public interest groups have been pushing to get better access to these files," says Free Press's Wright. "Given the convenience of the Internet and its relative ubiquity, we think it is high time it was put in an online form so that people can see it without having to take off work."

While delighted that the FCC is scrapping the old rules, broadcasters are not particularly happy with how the new ones are shaping up.

Edit Article

Tags

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2778.79 -34.90 (-1.24%)
NYSE 7427.74 -52.69 (-0.70%)
S&P 500 1295.22 -9.64 (-0.74%)
Updated 05/21 8:15a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 17, 2012
  • 1.
    3.0/9
  • 2.
    2.5/7
  • 3.
    2.4/7
  • 4.
    1.5/4
  • 5.
    1.1/3
  • 6.
    0.3/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad