Air Check by Diana Marszalek

TV Mobilized As Routine Turned To Disaster

Once the weather service issued a tornado warning for the Joplin, Mo., area on May 22, local TV and radio stations followed protocol for severe weather, ramping up their weather coverage in the 90 minutes or so before the twister hit at around 5:30 p.m. either with cut-ins or going wall-to-wall. But such alerts had become so frequent, especially lately, that even the station staffers themselves did not take them as seriously as subsequent events demonstrated they should have. After the storm hit, news teams scrambled to figure out what exactly had happened and how they could help their striken community.
By
TVNewsCheck,

Could local broadcasters in Joplin, Mo., have done more to warn people of the killer tornado that swept through their city early on Sunday evening, May 22? Probably not.

TV meteorologists tracked the storm throughout the afternoon as it moved through Kansas and into Missouri and as the National Weather Service issued — and repealed — an array of thunderstorm and tornado watches.

Story continues after the ad

Once the weather service issued a tornado warning for the area, both TV operations — as well as the seven radio stations owned by the Zimmer Radio Group — followed protocol for severe weather, ramping up their weather coverage in the 90 minutes or so before the twister hit at around 5:30 p.m. either with cut-ins or going wall-to-wall.

The weather cameras perched atop broadcast towers captured video of the storm as it headed their way. The broadcasters urged viewers to take cover in basements or interior rooms.

But such alerts had become so frequent, especially lately, that even the station staffers themselves did not take them as seriously as subsequent events demonstrated they should have.

The tornado, with winds as high as 200 miles per hour, cut a swatch of destruction a quarter of a mile wide and several miles long. As of yesterday, 139 people had been reported dead and more than 100 were still missing. As much as a third of the city now lies in ruins.

“There has been incredible growth in the number of warnings that are put out,” says Pat Slattery, spokesman for the National Weather Service’s central region. From May 16 to 26, not a single day went by without a tornado warning somewhere in the region, he says.

And the storm that approached Joplin was not radically different than many others, except that the tornado itself didn’t actually form until it was just west of Joplin, Slattery says. The severity of tornados isn’t forecast; rather they are rated by the destruction they leave in their wakes.

“We hear those sirens going off so often that we’ve almost gotten used to it,” says Jeremiah Cook, weekend meteorologist at Nexstar’s NBC affiliate KSNF who was manning the weather desk that afternoon. (Nexstar also operates the ABC affiliate, KODE.) “You don’t think about the reality of it. I am as guilty as anyone.”

Although Cook urged viewers to take cover from the storm, it was “nothing I haven’t done multiple times in the past.”

At home that evening, Kristi Spencer, the news director for Saga Communications’ CBS-Fox duopoly, KOAM-KFJX, wasn’t particularly fazed by the tornado warnings, which she heard via the local news she oversees when the weathercasters cut into regular programming to apprise viewers of the looming storm.

The skeleton weekend news crew at the station had spent the afternoon covering routine stories, like graduation day. Spencer figured she’d wait until the storm rolled through town before getting the cookout she'd planned for the night underway.

“Honestly it happens so much here that we don’t bring the news team there every time there’s a tornado warning,” Spencer says.  “But it usually hits in the middle of a farm somewhere, not in the middle of town.”

Spencer, who lives 12 miles from Joplin, lost her satellite TV signal when the storm hit, and didn’t know how bad the destruction was until she got a call from her in-laws, saying they were trapped in their home.

She was shocked by the devastation she saw on her way to help them. “Everything was bent and crumpled,” she says. “My first thought was: we are going to see bodies.”

What ensued at the TV stations in the wake of the storm was chaotic, as news teams scrambled to figure out what exactly had happened and whether their own friends and family were safe. Travel and communications ranged from limited to impossible.

Cook left the station — which was off-air for about 45 minutes immediately after the tornado passed — in the hands of colleagues, including the chief meteorologist, to report from the field on what was going on in the city. Plus, he had worries of his own, not knowing if his wife, eight-and-a-half months pregnant, was safe.

With blocked roads, downed power lines and no cell phone service, the stations had trouble getting post-storm coverage on the air. Saga’s KOAM-KFJX didn’t air its first reports until 8:45 p.m.

Spencer says her 23-person news staff rallied without so much as a phone call the night of the tornado. Sports staff became news reporters. Sales staff manned newsroom phones.

The Zimmer radio stations called on every staffer to assist in round-the-clock coverage, which started about 90 minutes before the tornado struck and continued through last weekend on all seven stations.

Things didn’t get much easier the day after the storm, as the stations still struggled with impaired mobility and communications systems.

Edit Article

Tags

Comments (5) -

justin hinkle posted 12 months ago
Joplin is in Missouri
Mark Miller posted 12 months ago
It sure is. I've fixed that.
Insider Nickname posted 12 months ago
With blocked roads, downed power lines and >>>no cell phone service
Insider Nickname posted 12 months ago
Above quoted from the story. I see the wonderful comment software truncating comments again. It works about as well cellphone service in Emergency situations. Luckily comments on this site aren't life or death situations.
Iconoclastd Nickname posted 12 months ago
the system seems to not like anything but numerals, characters, and a very few others, like commas, used infrequently, leading to absurd results from time to time.

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2874.04 -19.72 (-0.68%)
NYSE 7592.82 -42.99 (-0.56%)
S&P 500 1324.80 -5.86 (-0.44%)
Updated 05/17 1:18a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 15, 2012
  • 1.
    3.2/9
  • 2.
    2.8/8
  • 3.
    2.5/7
  • 4.
    1.7/5
  • 5.
    1.6/5
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad