Dma 59

Lockwood Names Neal Davis GM Of WBXX

In announces the management appointment after closing on its purchase of the Knoxville, Tenn., CW affiliate from Acme.
By
TVNewsCheck,

Lockwood Broadcast Group has appointed Neal Davis the new general manager of CW affiliate WBXX Knoxville, Tenn. (DMA 59).  The announcement coincides with Lockwood’s acquisition of WBXX from Acme Communications.

Davis brings more than 20 years of experience as a broadcast TV executive, most recently as GM of WLFL-WRDC Raleigh, N.C. Prior to that, he held the same position at WMBD-WYZZ Peoria-Bloomington, Ill., market after advancing from local and general sales management positions at WYZZ.

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“We are excited to have a broadcaster of Neal’s experience and character leading our team in Knoxville, and have real confidence he can take this strong station to even greater success,” said Gerald Walsh, Lockwood VP of broadcast operations.

In February Lockwood Broadcast Group announced an agreement with Acme Communications to acquire WBXX for $5.6 million cash. The group’s other stations include WQCW Charleston-Huntington, W.Va. (CW); WHDF Huntsville-Decatur Ala. (CW); and KTEN Sherman, Texas-Ada, Okla., which carries programming from NBC, ABC and CW.

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Comments (2) -

ShameOnUS Nickname posted over 6 years ago
Neil is one of the best GMs around. He has the passion for the business and his people. Lucky BXX!
BobJones Nickname posted over 6 years ago
From Sinclair to Lockwood. Lucky guy?
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Ratings

Overnights, adults 18-49 for January 9, 2017
  • 1.
    1.7/5
  • 2.
    1.0/3
  • 3.
    1.0/3
  • 4.
    0.7/2
  • 5.
    0.7/2
  • 6.
    0.3/1
Source: Nielsen

Reviews

  • Hank Stuever

    Well, they only had to remake a jillion TV shows from yesteryear to finally get one exactly, perfectly right. Not only is Netflix’s reimagined One Day at a Time a joy to watch, it’s also the first time in many years that a multicamera sitcom (the kind filmed on a set with studio-audience laughter) has seemed so instinctively comfortable in its own skin. It doesn’t try to subvert or improve on the sitcom format; it simply exhibits faith that the sitcom genre can still work in a refreshing and relevant way.

  • Hank Stuever

    Michelle Dockery has made an astonishing career swerve from Downton Abbey on PBS to TNT’s intriguing and impressively seedy crime drama Good Behavior. Dockery throws herself into the role of Letty Raines — a liar, thief and ex-con in North Carolina who sweats long shifts as a waitress and relies on a pleasant-voiced motivational app to keep her off drugs and booze, in between visits with her parole officer. The true accomplishment of Good Behavior is that none of this seems as hokey as it sounds. Dockery digs deep and gives a frenetic and often moving performance.

  • Neil Genzlinger

    The intriguing CW series Frequency starts out looking as if it were going to be a bittersweet, nostalgia-tinged time-travel drama in the Stephen King-Twilight Zone lineage, and that probably would have made for a comfortably satisfying show, the kind you can half-watch while doing something else. In the last third of the premiere, though, things take a joltingly different, more complicated path. Sorry, couch potatoes, but it looks as if you might have to keep both eyes on the screen for this one.

  • Rob Owen

    Easily fall’s best broadcast network comedy pilot, NBC’s The Good Place offers a clever high-concept premise that’s complemented with intelligent, sometimes absurdist humor. Created by Michael Schur, co-creator of NBC’s Parks and Recreation, The Good Place is a highly serialized series that’s essentially set in heaven and stars Kristen Bell and Ted Danson. NBC made five episodes of The Good Place available for review, and the show not only holds up, but also it improves, deepening characters that initially feel one-note and frequently leaving viewers guessing with cliffhanger endings to many of the episodes. The combination of snappy dialogue and winning but flawed characters makes The Good Place a great bet for fans of smart TV comedy.

  • Maureen Ryan

    Pitch has swagger, for good reason. It gets the big things right; the Fox drama about the first female baseball player in the Major Leagues is one of the year’s most assured and exciting debuts. But part of what impresses about the pilot is also the way it confidently strings together so many small but telling details. Ginny (Kylie Bunbury) is the first woman to be called up from the minors to the big leagues, and no show since Friday Night Lights has done a better job of portraying the internal and external pressures that weigh heavily on young athletes asked to do much more than merely succeed on the field. Pitch will likely do a good job of getting viewers to root for it. The hope is that the show won’t be an impressive, short-lived curiosity, but rather a long-term phenomenon.

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