Air Check by Diana Marszalek

KAUT Oklahoma City Seeks Military Viewers

Local TV's low-rated MNT affiliate has calculated that it may be able find its place in the 45th largest TV market by focusing on the large local community with connections to the military. If successful, Freedom 43, as the station is now calling itself, could prove the value of seeking niche audiences other than those based of gender, age or ethnicity, says Hofstra media prof Bob Papper.
By
TVNewsCheck,

With its 7 a.m. Rise & Shine newscast last Monday, Local TV’s KAUT Oklahoma City (DMA 45) officially became Freedom 43 TV, aimed primarily at the market’s extraordinarily large population with connections to the military.

“We’ll be tinkering with things for several weeks at least, but the over-all concept works and looks good,” says Jim Boyer, president and GM of the MNT affiliate and its companion NBC affiliate KFOR.

Story continues after the ad

The concept stems from the market’s having one of the highest concentrations of military personnel in the country, Boyer says.

Its four major bases-- Tinker, Vance and Altus Air Force Bases and Fort Sill -- are home to nearly 33,000 active personnel, as well as more than 36,000 civilian employees, he says.  The Oklahoma Army National Guard contributes another 7,600 soldiers.

What Freedom 43 means in concrete terms is that other than a few top local, national or international news stories, the local news is going to feature stories on the market’s major military bases and the people with ties to them, Boyer says.

Five people are now assigned exclusively to Freedom 43 news, including a morning co-host, evening anchor, two producers and a reporter/videographer, Boyer says. The other morning co-host also anchors a KFOR newscast. The rest of the staff works for both stations.

The station hopes the staff will grow with ratings and revenue, Boyer says.

Mary Ann Eckstein, news director for KAUT and KFOR, says coverage will run the gamut from issue-based stories, like suicides among reservists and deployments of locally based troops, to features such as a weekly check-in with a military wife at home with the kids while her husband is overseas.

Light features will also have a military cast, too, Boyer says. Cooking segments, for example, won’t feature celebrity chefs the way they do in many markets. Rather, bigwigs from the mess halls will appear on-air instead, he says.

Although the two stations will continue to share weathercasters, Freedom 43’s “local” weather reports will be like no other, covering on a rotating basis about 20 locations around the world where Oklahoma City-based troops are stationed, she says. 

Even the new set has unmistaken Armed Forces-inspired design. Described by Boyer as “military industrial chic,” the look of the set falls somewhere between a warehouse-style nightclub and an aircraft carrier deck. 

In time, Freedom 43 may schedule other programming, including syndicated shows and specials, that conforms to the military theme, he says.

M*A*S*H, already a KAUT staple, for example, is likely to stay on the line-up, Boyer says. TV specials on Armed Forces-related subjects will likely be fit into the mix as well.

Before the move, KAUT filled its two daily newscasts with content from KFOR – a common practice with duopolies.

But despite several rebranding attempts consistently, the station remained sixth in sign-on to sign-off ratings as well as revenue in an eight-station market.

Last summer, a group of station executives agreed that something dramatic was going to have to be done with the station for it to get any traction, Boyer says. After crunching the numbers, he says, the team decided to give the Freedom 43 concept a shot, as getting any reasonable traction among military types would be an improvement.

“We don’t have to be No. 1,” Boyer says. “We just need to get enough viewers to get a return on our investment.”

According to Boyer, the Freedom 43 concept is based in part on the station’s belief that the target audience has shared values -- faith, freedom and patriotism.

But the station has no political agenda, Boyer says. “We are not Fox. Rather than push a point of view, we are going to follow a point of view.”

While local news operations have experimented with other niches, such as women, young people or ethnic groups, industry watchers say they have never seen a newscast bound by an institution or job as KAUT’s is.

And, the experts say, the effort, if successful, could pave the way for other broadcasters also looking for a way to distinguish themselves other than on the basis of gender, age or ethnicity.

“I would think a whole lot of people will watch this and see what happens,” says Bob Papper, the Hofstra University media studies professor. “If it looks like it’s working, what we will see, as we always see, is massive copying.”

Siena College journalism professor Dow Smith, a former TV newsman who was in the business for 40 years, was wary of the idea.

Although company towns typically maximize coverage of a major employer – in the way Detroit would cover the car companies – Smith says he finds Freedom 43’s niche “strangely bizarre.”

Smith takes particular exception to the station adding the values factor to its newscasts. “That’s assuming that the average views of people in the military are kind of monolithic and that they all have the same values system,” he says.

Edit Article

Tags

Comments (3) -

Doubtful Nickname posted a year ago
Brilliant!
PlasmaMan Nickname posted a year ago
Stupid!
JMinSanDiego Nickname posted a year ago
I like it. I was USN 1962 - 1982 and not only do I appreciate the attention to my group but I also recognize that we all have disposable income. This latter fact is not lost on advertisers in military communities.

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2874.04 -19.72 (-0.68%)
NYSE 7592.82 -42.99 (-0.56%)
S&P 500 1324.80 -5.86 (-0.44%)
Updated 05/17 1:10a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 15, 2012
  • 1.
    3.2/9
  • 2.
    2.8/8
  • 3.
    2.5/7
  • 4.
    1.7/5
  • 5.
    1.6/5
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad