Sales Office by Abby Auerbach

Stations Shouldn't Give Away Mobile Ads

Broadcasters should seize the opportunity, bring mobile DTV to market as quickly as possible and monetize this valuable asset from Day One. As mobile DTV rolls out, marketers will have the opportunity to establish the deepest connection with consumers through the reach of television, their relationship with local news and entertainment, the interactivity of the Web and the intimacy of personal mobile devices. Mobile DTV will offer true value, not added value.
By
TVNewsCheck,

Mobile DTV is poised to become a potent new offering in TV stations’ digital quiver. As signals are turned on and receiving devices are rolled out, mobile DTV will give marketers valuable new connections to consumers and valuable new advertising opportunities through which to engage with them. Mobile DTV will provide true advertising value and broadcasters shouldn’t be shy about bringing it to market, from day one, priced accordingly.

MagnaGlobal’s recently released forecast stated that “interest in mobile advertising has been catalyzed among large advertisers over the past year, and we expect growth of 60.1% during 2011.” That interest was clear to me as I observed the record number of agency and advertiser executives attending the 2011 Consumer Electronics Show. Marketers went to see, first-hand, the consumer electronics industry’s vision of converged media and the devices that will put those media in the hands of American consumers. They went to discover the next ad apps and opps, and local broadcast television had a lot to offer with mobile DTV.

Story continues after the ad

“Mobile DTV will be bigger than anybody thinks,” Jeff Minsky, director, emerging media at OMD Ignition Factory, told me on the CES floor. He’s excited about the ad opportunities that TV stations will offer in the mobile space — and broadcasters should be excited too, because Jeff and other “new-media” strategists influence budgets beyond spot TV. 

Mobile DTV solidifies TV stations’ place in the digital-media planning conversation and it warrants the attention of all media strategists. As mobile DTV rolls out, marketers will have the opportunity to establish the deepest connection with consumers through the reach of television, their relationship with local news and entertainment, the interactivity of the Web and the intimacy of personal mobile devices. As Mobile DTV signals go live and devices are turned on, shoppers will be the recipients of advertisers’ local TV schedules and unique advertising opportunities will be added to their suite of creative possibilities. 

Mobile DTV won’t be fully deployed at the flick of a switch, but it is coming. Currently, more than 50 stations are broadcasting mobile DTV signals. And a variety of industry organizations are working hard to spread the revolution. Mobile Content Venture, a joint effort of 12 major broadcast groups, has announced it will provide mobile DTV channels in 20 markets this year. The Mobile 500 Alliance, whose member stations represent 92% of the U.S., is also committed to launching mobile DTV.

The Open Mobile Video Coalition is working with device manufacturers to bring mobile-DTV-enabled devices, including smart phones, iPad/iPod accessories, laptops and DVD players, to market.  And broadcasters are in discussions with carriers, device manufacturers and content providers to develop a revenue-producing business plan for mobile DTV.

It wasn’t long ago that stations had similar Internet “toes-in-the-water.” At first, only a few stations published a site and fewer offered dedicated advertising packages.  In those early days, many sales teams introduced stations’ Web assets to customers by adding Internet impressions to on-air schedules in the form of added value — at no charge. As stations’ Web offerings grew, site visits increased and advertising potential rose, it was difficult to monetize the value of stations’ websites with customers accustomed to receiving those impressions for free.  There is a lesson in that experience for broadcasters as mobile DTV comes to market.

Dave Lougee, president of Gannett Broadcasting, recently told me: “Mobile DTV will extend and expand our audience, so it needs to be valued.” Like our earlier foray into the Internet, mobile DTV will start small.  But every opportunity to connect an advertiser with a shopper and enable them to engage in a marketing dialogue will have true value.

Advertisers recognize the power of the mobile medium and are exploring its new opportunities — with growing budgets. Broadcasters should seize the opportunity, bring mobile DTV to market as quickly as possible and monetize this valuable asset from Day One. Mobile DTV is true value, not added value.


Abby Auerbach is TVB’s executive vice president and chief marketing officer. She can be reached at abby@tvb.org. All about sales and advertising, Sales Office appears once a month in TVNewsCheck through the cooperation of the TVB, which solicits the columns from its staff and members. To see all the columns in the series, click here.

Edit Article

Tags

Comments (2) -

localtvrevenue Nickname posted a year ago
how about stations shouldn't give away any ads?
RustbeltAlumnus2 Nickname posted a year ago
too little, too late, we can all remember when local TV was a big deal, but the quarterly bottom line blinded its keepers

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2874.04 -19.72 (-0.68%)
NYSE 7592.82 -42.99 (-0.56%)
S&P 500 1324.80 -5.86 (-0.44%)
Updated 05/17 12:52a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 15, 2012
  • 1.
    3.2/9
  • 2.
    2.8/8
  • 3.
    2.5/7
  • 4.
    1.7/5
  • 5.
    1.6/5
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad