weekly syndicated ratings roundup

Some Syndies Thrive Despite Lower PUTs

Even with more than 5 million fewer viewers, a number of talkers, courtrooms, games and others posted weekly ratings gains, with a several shows setting new season highs.
By
TVNewsCheck,

PUT levels made a U-turn in the week ending Nov. 21, declining by more than 5 million viewers from the prior session, yet four talkers — Maury, The Doctors, Steve Wilkos and Wendy Williams — jumped to new season highs.

Talk Shows

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Top gabfest Oprah (CTD) dropped 5% to a 5.8; in second place, Dr. Phil (CTD) eased 3% to a 2.9; Live with Regis and Kelly (Disney-ABC) fell 8% to a 2.4; Dr. Oz (Sony) slid 4% to a 2.4; and Ellen DeGeneres (WBDTD) rounded out the top five with an unchanged 2.3.

Maury (NBCU) added 5% to new season high 2.1 and The Doctors (CTD) scored a new record high for second week in a row with a 6% leap to a1.9, its best rating in 38 weeks.

Ninth-place Steve Wilkos Show (NBCU) advanced 7% to a personal best 1.5 and 11th-place Wendy Williams (Debmar-Mercury) added 9% to a new season high 1.2.

First-Run Freshmen

Among the closely watched newcomers, Swift Justice with Nancy Grace (CTD) remained at its series high 1.4 for a second week and led the first-run rookie field by a margin of 544,000 viewers on average per program. Second-place Nate Berkus (Sony) was flat at a 1.0 rating, while Don't Forget the Lyrics (Twentieth), Judge Karen's Court (Litton) and America's Court with Judge Ross (Entertainment Studios) were unchanged at 0.9, 0.6 and 0.4, respectively.

In the metered markets, Access Hollywood Live (NBCU) spiked 25% in households from last year's time period average to a 1.0 rating/4 share for the third full week of the sweep and surged 100% among women 18-34.

Off-Net Freshmen

Among the new off-net and off-cable strips, How I Met Your Mother (Twentieth) gained 4% to a new season high 2.4. Also moving up were The New Adventures of Old Christine (WBDTD), which advanced 8% to a 1.3; True Hollywood Stories, which jumped 14% to a 0.8; Curb Your Enthusiasm (WBDTD), which surged 17% to a 0.7; and Real Housewives (NBCU), which was up 20% to a new series high 0.6 in households and grew 25% in every key female demo.

Magazine Shows

Extra (WBDTD) was the only news magazine strip up from last year, growing 6% for both the week and the year to a new season high 1.8, while companion Extra Weekend was up 30% over last year to a 1.3. News mag leader Entertainment Tonight (CTD) dipped 2% from the week before to a 4.2; Inside Edition (CTD) recovered 11% to a new season high 3.1; Access Hollywood (NBCU) scored a new season high with a 5% improvement to a 2.0 in households and an 11% spike in the women 18-49 demo; TMZ (WBDTD) was up 6% to a 1.9; while The Insider (CTD) slipped 10% to a 1.8.

Court Shows

Judge Judy (CTD) easily topped the court shows by a 119% margin with a steady 4.6. Judge Joe Brown (CTD) perked up 5% to a 2.1; People’s Court (WBDTD) moved up 6% to a 1.9; Judge Mathis (WBDTD) gained 7% to a 1.6; Divorce Court (Twentieth) tacked on 8% to tie the unchanged Judge Alex (Twentieth) at a 1.3; and Judge Jeanine Piero (WBDTD) was flat at a 1.0.

Game Shows

Game shows were led by Wheel of Fortune (CTD), although it slipped 1% to a 7.4. Jeopardy (CTD) gained 2% to a new season high 6.0; Who Wants to be a Millionaire (Disney-ABC) increased 5% to a 2.3; while Family Feud (Debmar-Mercury) grew 6% to a new season high 1.7. Trailing the category, Are You Smarter Than a 5th Grader? (Twentieth) was up 11% to a 1.0.

Off-Net Sitcoms

Two and a Half Men (WBDTD) topped the off-net sitcoms, inching up 2% to a new season high 6.1. Family Guy (Twentieth) dropped 9% to a 3.1; Everybody Loves Raymond (CTD) was stable at a 2.8; Seinfeld (Sony) upticked 4% to a new season high 2.7; while My Wife and Kids (Disney-ABC) lost 4% to land in a tie with Seinfeld.

Off-Net Weekly Hours

Criminal Minds (CTD) paced the off-net weekly hours with a 2.8, but lost 3% from the week before. Law & Order: Criminal Intent (NBCU) held firm at a 2.4, tying Monk (NBCU), which added 4% to a 2.4; The Closer (WBDTD) surged 21% to a new season high 2.3; and there was a three-way tie for fifth at a 2.2 with Numbers (CTD) up 5%, Bones (Twentieth) up 10% and Without a Trace (WBDTD), which was down 12%.

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Updated 05/17 12:39a ET Quotes delayed at least 20 mins.
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Ratings

Overnights, adults 18-49 for May 15, 2012
  • 1.
    3.2/9
  • 2.
    2.8/8
  • 3.
    2.5/7
  • 4.
    1.7/5
  • 5.
    1.6/5
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
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    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

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  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

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