Open Mike by Gregg Skall

Let TV Stations Lease Their Own Spectrum

The FCC National Broadband Plan envisions greatly expanded wireless broadband capability to promote economic growth. The problem with the plan is that it proposes to accomplish this by repurposing 120 MHz from television broadcasters, who understandably have reacted with shock and indignation. However, broadcasters could turn this assault into potentially attractive new business models by becoming interactive, wireless broadband service providers. Simply put, if the broadcast spectrum is repurposed to broadband, broadcasters are best situated to make that transition.
By
TVNewsCheck,

The FCC National Broadband Plan envisions greatly expanded wireless broadband capability to promote economic growth. The problem with the plan is that it proposes to accomplish this by repurposing 120 MHz from television broadcasters, who understandably have reacted with shock and indignation.

However, broadcasters could turn this assault into potentially attractive new business models by becoming interactive, wireless broadband service providers. Simply put, if the broadcast spectrum is repurposed to broadband, broadcasters are best situated to make that transition. 

Story continues after the ad

Nearly all of the proposals contemplate broadcasters either exiting the playing field and taking cash compensation or hanging on with a reduced role while paying more spectrum fees. 

The -lan’s analysis of spectrum auction proceeds signals that the revenue-generating value of the spectrum for mobile broadband is $1.28 per megahertz pop, while the current broadcast use is valued at an estimated 15¢ per megahertz pop. That great a differential suggests that a broadcaster must find a way to capitalize better on the use of its spectrum resource. 

While the plan has received favorable nods from the White House and some on Capitol Hill, its ultimate success is far from assured. Now would be an excellent time for broadcasters to bring their own proposal to the forefront, saying if it’s a good idea, we’ll do it ourselves. 

This solution could be implemented faster than any other. Although broadcasters, as mobile broadband providers, may present new competitive possibilities to existing mobile providers, they might also present themselves as potential business partners to providers in need of expanded spectrum. It would require rulemaking, but no legislation. This solution also provides an appropriate market mechanism that would signal the best economic use of the spectrum while also preserving over-the-air broadcasting services.

The television marketplace is evolving with or without regulatory change. Television has traditionally been a “one-sided” market, deriving nearly all of its revenue from advertising. That revenue model is changing as fast as changing technology can move it. BIA/Kelsey predicts that while by 2014 television revenues will return to $18.3 billion, that will still be $2.3 billion less than the 2008 level. Of that, it predicts that online/interactive will contribute $1.2 billion, up from $500 million in 2008. 

Moreover, local affiliates, who still depend on the advertiser model, are losing network compensation and increasingly must pay networks for their programs. While the networks are developing multisided markets, including cable distribution, proprietary streaming content sites and reverse compensation, for the most part local affiliates still rely on the one-sided, advertiser-supported model. Faced with marketplace and now possible regulatory changes, this evolution must pick up steam for a prosperous local broadcasting service. 

Strikingly, the plan is not very hopeful. Every one of the models discussed assumes that the broadcaster will exit the business or give up a large block of critically needed spectrum to make room for other convergence services providers, presumed to be the existing wireless broadband providers. 

But by utilizing the broadcasting channels already assigned, broadcasters could transition their service into a bi-directional broadband service, continuing their legacy broadcasting role while creating new revenue streams and adding services that would fulfill the goals of the plan. 

Some local broadcasters might choose to re-band, accept a single channel or even leave the business and take the FCC’s proposed buy-out. Others could choose to make the transition to broadband themselves or in partnership with other convergence partners. Local broadcasters could develop the repacking plan themselves and build out a broadband, possibly cellular, model infrastructure.

Given the incentive to remain competitive, broadcasters will find the way to accomplish the transition at a time when it truly makes sense. Taking advantage of those natural incentives will result in greater success than forced regulation. The FCC could pave this path by issuing technical rules that allow the industry itself to move to a broadband, cellularized infrastructure. There are problems, to be sure, but the television industry itself is the party best positioned to solve them.

Nothing in the plan forecloses broadcasters from developing — alone or in partnership with others — and providing flexible broadband services. The FCC should provide the means for broadcasters to make this change, rather than making the assumption that broadcasters are not up to the task.


Gregg P. Skall is a communications attorney in the Washington office of Womble Carlyle Sandridge & Rice.

Editor's note: If you are interested in submitted commentary for Open Mike, contact TVNewsCheck Editor Harry Jessell at hajessell@newscheckmedia.com or 973-701-1067. You can also check out the guidelines for Open Mike here.

Edit Article

Comments (2) -

David Schutz Nickname posted a year ago
A comprehensive and well reasoned proposal for comprehensive spectrum re-purposing.
Gregg Skall posted a year ago
David: Many thanks for your kind comment. If you, or other readers would like to read a full version of the paper, it is available at out Womble Carlyle website at: http://www.wcsr.com/resources/pdfs/skall092810.pdf

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2874.04 -19.72 (-0.68%)
NYSE 7592.82 -42.99 (-0.56%)
S&P 500 1324.80 -5.86 (-0.44%)
Updated 05/17 12:30ä ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for 5月 15, 2012
  • 1.
    3.2/9
  • 2.
    2.8/8
  • 3.
    2.5/7
  • 4.
    1.7/5
  • 5.
    1.6/5
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad