ENG 2010

IP Tech On The Road To Passing Trucks

Video over IP technology is much cheaper and faster than microwave or satellite trucks in returning video from the field, even if most of it usually takes a hit in image quality and reliability isn't yet what it should be. As compression algorithms and the equipment keep getting better, it looks to transform TV newsgathering over the next four or five years. The photo shows Jeff Liebman, of WDIV Detroit, in his IP-enabled vehicle, which includes a Sony camera linked to a Dell laptop with Streambox encoding and Aircard for broadband connections.
By
TVNewsCheck,

Just after Damon Evans, the University of Georgia's athletic director, was arrested on June 30 on suspicion of DUI, he called a news conference the next day on the Athens campus. TV stations were given one-hour's notice. The event was held on the eighth floor of a building and there was no time to run cables or set up a microwave or satellite link.

Of all the news outlets covering the news conference, only WSB Atlanta went live. That's because the Cox flagship was the only station to subscribe to LiveU, a service that allows broadcasters to wirelessly send video back to their stations over the Internet. 

Story continues after the ad

"LiveU has been a real differentiator for us in the market," says Don Bailey, WSB news operations manager. "We use it every day.... The video quality, with good connectivity, is barely distinguishable from satellite or microwave technology."

LiveU is one of many ways stations are using -- or at least experimenting with -- video over IP (Internet protocol) for newsgathering. For some broadcasters, the goal is simple -- retire the expensive microwave and satellite trucks and replace them with better and cheaper technology. Others see IP as supplemental.

IP comes at a time of major changes in TV news operations. Today, most stations program news for websites as well as broadcast. This has erased traditional TV news deadlines, challenging reporters and photographers to a kind of perpetual deadline akin to 24/7 radio news.

Kathleen Sebelius, secretary of Health & Human Services, was interviewed by WDIV Detroit anchorman Devin Scillian at the Grand Hotel on Mackinac Island in Lake Huron. WDIV used a Streambox over DSL for the live feed.

At the same time, newsrooms are being asked to operate with less money. Microwave and satellite trucks are expensive to operate, requiring extra personnel, added travel costs and complex safety measures. Video over IP is much cheaper and faster, even if most of it usually takes a hit in video image quality.

"There's no question that expense reduction is part of everybody's game. It's very challenging to run TV stations and do news. Satellite is a very expensive way to do long-form news. Video over IP really does offer alternatives," says Terry Heaton, SVP of Media 2.0 at AR&D.

"Quality is an issue, but it's an issue that's really more on the minds of engineers than viewers," he says. "As compression algorithms and the equipment keep getting better, sooner or later we are going to be able to do all these things over IP. This is going to be transforming television news over the next four or five years."

Sterling Davis, VP of technical operations at Cox Media Group, the owner of WSB and 14 other stations, agrees with Bailey that the video quality of IP is "essentially the same" as microwave and satellite, but he doesn't yet see it as a total replacement. "We can't rely on third parties to provide us bandwidth like we can do ourselves."

Adell Hill, president of broadcast services for Media General, owner of 18 stations and 21 daily newspapers, is also not ready to throw out the old technology. "Does it threaten satellite trucks? No. Is it an opportunity to manage your costs for these trucks? Yes," he says. "It adds a tool to the toolbox for newsgathering in the field."

The big newsroom trend is the smartphone -- mostly Apple's iPhone or an RIM Blackberry. Most reporters and photographers carry a phone with a built-in video camera, enabling them to shoot and file short news clips. Those clips are showing up frequently not only on websites, but also on the evening and late news.

Smartphones can transmit video through standard e-mail, multimedia messaging service (MMS), FTP or special applications like Streambox and UStream, which allow live video feeds. Apple's new iPhone 4 transmits 720p high-definition video at 30 frames per second.

WSB equips each of about 60 reporters and photographers with an iPhone and a Cisco Flip Video and not only because of the ease of transmitting the video, says Bailey. "If a hospital won't let us inside, we hand the Flip Phone to the victim's wife and give her questions to ask her husband. Then we get an exclusive on the air."

Bailey is excited about the new Facetime video calling feature on Apple's iPhone 4. Although it is designed for two callers to hold a video-enabled conversation, WSB wants to broadcast the video. "We want to output the conversations to a computer," Bailey says. "When we can do that, we will replace every existing iPhone with the iPhone 4."

Facetime, when it's ready for broadcast use, would be an alternative to Skype, a popular IP voice and video service that now runs on personal computers. It has been used by news operations for live face-to-face video calls.

Edit Article

Related Links

Tags

Comments (1) -

PSIPthing Nickname posted a year ago
lower image quality enough, and your "competition" turns out to be an skinny 15 year old kid with an iPhone streaming from You Tube, which you and your former viewers can watch live on You Tube. If it's the only way to get the video out, okay. Otherwise, you're giving up your station's unique position. Ever try to make a phone call during an emergency? With Ip, it could be that skinny 15 year old kid who gets in ahead of you. Trying to cheapen your way to success is more than a bit dicey.

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2847.21 +68.42 (+2.46%)
NYSE 7542.98 +115.24 (+1.55%)
S&P 500 1315.99 +20.77 (+1.60%)
Updated 05/22 7:57a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 20, 2012
  • 1.
    2.4/7
  • 2.
    1.9/6
  • 3.
    1.6/5
  • 4.
    1.3/4
  • 5.
    1.0/3
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad