TVB Forecast Conference

Strong Political Ad Market Predicted

TNS Media Intelligence's Evan Tracey says issue advertising surrounding the health care and cap-and-trade debates on Capitol Hill could generate as much as $1 billion for TV stations and networks this year -- a record for the usually weak first year of the four-year political advertising cycle.
TVNewsCheck,

If there is one thing that TV stations can count on as the nation's slowly pulls out of the current recession, it's political advertising, says Evan Tracey, who closely tracks spending by candidates and advocacy groups for TNS Media Intelligence.

Driven by issue advertising surrounding the health care and cap-and-trade debates on Capitol Hill, he says, the political category could generate as much as $1 billion for TV stations and networks this year -- a record for the usually weak first year of the four-year political advertising cycle.

Story continues after the ad

And the pace of spending will not abate in year two of that cycle, he says. In 2010, TV spending will track that of 2006 and 2008 and end up between $2.4 billion and $2.6 billion. "There is plenty of fuel for this fire."

Tracey's forecasts were welcomed news for the revenue-deprived broadcasters gathered today in New York for the annual TVB Forecast Conference.

This year, issue spending could top $700 million as advocacy groups try to stop or influence the health care and cap-and-trade legislation, he says. Just how big the number ends up will depend in large part in how the legislation proceeds, he says. The longer the debate goes, he says, the more will be spent.

So far, about a third of the issue money has been spent with broadcast and cable networks, Tracey says. But that will change as Congress gets closer to passing legislation, he adds.

The advocacy groups will begin targeting key legislators -- conservative Democrats and moderate Republicans -- by buying time on stations in their home states, he says. "When it comes down to getting [Sen.] Olympia Snowe's vote, that money is going to Maine."

TV stations should also benefit from two competitive gubernatorial races in New York and Virginia and more than 600 races for mayor and other local offices, Tracey says. They could bring in $120 million for TV stations.

Also contributing to the 2009 take will be early starts on 2010 campaigns, he says. A dozen candidates running for office next year are already on the air, he says.

Unlike 2009, spending in 2010 will be driven by elections at all levels. The 37 gubernatorial campaigns will produce the most advertising. In addition, many of the Senate seats and as many as 100 House seats could be competitive and thus generate heavy spending.

Because of the controversy surrounding President Obama's aggressive agenda, incumbent candidates will be "skittish" heading into next year's elections and will be spending early and often to secure their reelections, Tracey says. The elections will be a referendum on Obama's health care initiative and his first two years in office.

One other factor that broadcaster should be aware of is the campaign finance case -- Austin v. Michigan Chamber of Commerce -- now before the Supreme Court, Tracey says. Some believe the high court will use the case to lift restrictions on political spending by corporations. If that happens, he says, "it will open up the floodgates for any corporate money that wants to come into the elections."

Edit Article

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2778.79 +0.00 (+0.00)
NYSE 7495.44 +67.70 (+0.91%)
S&P 500 1303.74 +8.52 (+0.66%)
Updated 05/21 10:51a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 17, 2012
  • 1.
    3.0/9
  • 2.
    2.5/7
  • 3.
    2.4/7
  • 4.
    1.5/4
  • 5.
    1.1/3
  • 6.
    0.3/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad