Legal Memo

Political Ads: The Latest for the Last Days

All that political money in these lean times is a beautiful thing. But as the campaigns wind down, it's important for broadcasters to keep up with the evolving rules and regulations governing political advertising and coverage. Do you know what to do if one of the candidates for your televised debate fails to show up?
By
TVNewsCheck,

Beauty's in the beholder's eye. Is it beautiful or ugly that only three weeks and four days remain in the 2008 general election campaigns? It's ugly to some TV advertising managers, program directors and GMs who see it as the end of record political ad spending in a crashing economy. It's beautiful to others for whom it's relief from compliance with political broadcast regulations.

For both groups, this column focuses briefly on home-stretch legal points to help stations make money, while complying with the regs covering some of the finer points of equal opportunities, candidate debates, ad cancellations and "hybrid" ads.

Story continues after the ad

Q. Must stations accept and run political ads right through Election Day itself?

A. No. For Election Day itself, the law offers flexibility. Stations may decide whether running political ads on the official national Election Day, Nov. 4, is in the public interest. Note that the flexibility has not been applied to "early voting" days established by some states. Also, a station's decision should be consistent with its political disclosure statement.

Q. If a station allows candidate ads on Election Day, how does equal opportunities apply to "last minute" requests?

A. First, especially this close to the election, stations should be sure to comply with the requirement to place candidate ad buys in the public file at the time of the sale (same day, according to FCC interpretation). Checking the public file is how a candidate can tell whether an opponent has bought Election Day time, and make a timely request for equal opportunities.

Second, close to Election Day, equal opportunities may mean proportional time, not equal time. This example illustrates the principle: A station sells Candidate A a one-week schedule of spots that ends on Election Day. Three days before Election Day, Candidate A's opponent Candidate B makes a timely request for equal opportunities. The station should offer Candidate B 3/7 of the number of spots it sold to Candidate A.

Q. What's the difference between equal time and equal opportunities?

A. Equal opportunities -- as required by statute and FCC rules -- includes equal time, but is broader than equal time. For instance, the total amount of time offered to each candidate can be the same, but the "opportunities" aren't "equal" if Candidate A's spots all ran in primetime and opponent B's spots run between midnight and 6 a.m. Also, if a station provides ancillary services to the first candidate, such as ad production assistance or use of station production facilities, the station must offer those to opponents seeking equal opportunities too, and on the same terms and conditions that were offered to the first candidate.

Q. What if a candidate drops out of a televised debate or fails to show up? Can the station still run the program without having to give equal opportunities to lesser candidates not invited to debate?

It depends on the facts of each situation.

To be exempt from equal opportunities, a program must meet the criteria for one of the four types of exemptions: on-the-spot coverage of a bona fide news event (where debates have qualified for exemption); bona fide news interview; bona fide news documentary; and bona fide newscast. See my column last month for more on equal opportunity exemptions.

For a debate to be exempt, it must be adversarial with at least two debaters. If it's a two-person debate and one doesn't show, it cannot qualify as on-the-spot coverage of a bona fide news event.

When that happens the station could try to convert the planned program to fit another exemption category. For example, the candidate who appears (but cannot debate himself) could be interviewed, and the recorded interview broken up into short segments (e.g., five minutes) to be aired during regularly scheduled already-exempt newscasts or other programs. The segments could be designed to qualify as bona fide news interviews. This requires careful attention to details of the interview and its on-air scheduling.

A debate planned for three or more candidates can still qualify as exempt if one debater is absent, if all criteria for on-the-spot coverage of a bona fide news event are met.

Q. When a candidate cancels an ad contract, are there FCC requirements that apply?

A. As long as the station treats the candidate comparably to commercial advertisers that cancel, the FCC usually leaves the matter to the parties to the contract. The treatment comparability aspect comes from an FCC rule prohibiting licensees from subjecting any candidate "to any prejudice or disadvantage" in making time available. If a station is generally relaxed about commercial cancellations, the FCC may expect it to do the same for candidates. Enforcement is complaint-driven.

Q. For about the past month stations have been asked (so far by McCain and others) to run, at lowest unit charge (LUC), ads featuring a candidate and paid for by the candidate or his/her campaign and an organization such as a national political party. Generally LUC applies to ads by legally qualified candidates or their authorized campaign committees when the candidate appears in the ad in connection with his/her campaign--a candidate "use"--and other requirements are met. (See my January column for more on LUC.) Do these "hybrid," "coordinated" or "combination" ads qualify for LUC?

Edit Article

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2874.04 -19.72 (-0.68%)
NYSE 7592.82 -42.99 (-0.56%)
S&P 500 1324.80 -5.86 (-0.44%)
Updated 05/16 11:41p ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for May 15, 2012
  • 1.
    3.2/9
  • 2.
    2.8/8
  • 3.
    2.5/7
  • 4.
    1.7/5
  • 5.
    1.6/5
  • 6.
    0.4/1
Source: Nielsen
Reviews
Opinions
Features
  • David Wiegand

    Fans of Sex and the City have finally gotten their wish: Their beloved sex-focused sitcom is back on the air ... sort of. The four women have become four men, of course, and the writing isn't as good. Oh, and the laugh track so annoying, it's offensive. And did I mention that the costumes would be considered fashionable if you were holding a yard sale? Men at Work on TBS is almost quaint, it's so old fashioned. If it had any meat on its bones, you'd be tempted to say it's the sadly ignoble epitome of TV's long-festering emasculated-men syndrome. But it's so much of a big, forgettable, innocuous shrug, it's not even worth any actual vitriol.

  • Mike Hale

    The USA Network's motto is "Characters Welcome." Apparently they're especially welcome if they resemble Oscar Madison and Felix Unger. Already stocked with Odd Couple knockoffs in Psych and White Collar, USA adds to its inventory Common Law, another comic crime-fighting show about mismatched partners. But this latest entry exhibits very little of that kind of spark as it tries to wring laughs from the juxtaposition of counseling and police work. It looks too flat and schematically plotted to succeed as the type of lightweight summer fun we’ve come to expect from USA.

  • Joanne Ostrow

    Johnny Carson: Fantastic entertainer, miserable human being. That's the lasting message of Johnny Carson: King of Late Night, the new PBS American Masters film, a rich history of a rare product of television who dominated the small screen for decades. Unprecedented access to personal archives plus all existing episodes of The Tonight Show (1962-92), distinguishes this film by Peter Jones. Telling interviews with family and colleagues, including second wife Joanne Carson, former Tonight Show executive producer Peter Lassally and a number of biographers sharpen the picture. The clips are carefully selected to illustrate specific personality traits, the performance highlights are given context and meaning beyond funny lines and memorable moments.

  • Hank Stuever

    AMC's The Pitch is a sharply-made if slightly off-putting reality series that follows different advertising agencies each week as they compete for new accounts. The inspiration for the show — made clear by its own ad campaign — is to harness some of the verve generated by the network's acclaimed Mad Men. The Pitch has a way of making the ad world seem like a real downer — a repugnant exercise in egotism laced with depressing bouts of creative compromise.

  • Tim Goodman

    HBO's Veep stars Julia Louis-Dreyfus as former Sen. Selina Meyer, who accepts the vice presidential duty and regrets it almost immediately: She has no real power and gets muscled by the Senate, Congress and the (so-far-unseen) president, who delegates all the truly crappy jobs to her. Louis-Dreyfus has found perhaps her best post-Seinfeld role and takes to it with such fervor — the constant swearing, the barely veiled desire to become president, the unhappy give-and-take with other politicians and a delightful disdain for average citizens — that you can't help but applaud what is clearly an Emmy-worthy effort. Her work alone makes Veep a gem, but there's even more to like.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad