FCC OKs Set-Top Box Outlet Blocking

Federal regulators are endorsing Hollywood's efforts to let cable and satellite TV companies turn off output connections on the back of set-top boxes to prevent illegal copying of movies.
By
Associated Press,

WASHINGTON (AP) -- Federal regulators are endorsing Hollywood's efforts to let cable and satellite TV companies turn off output connections on the back of set-top boxes to prevent illegal copying of movies.

The decision by the Federal Communications Commission, announced late Friday, is intended to encourage studios to make movies available for home viewing on demand soon after they hit theaters or even at the same time.

Story continues after the ad

Bob Pisano, head of the Motion Picture Association of America, said the FCC's action will give consumers "far greater access to see recent high-definition movies in their homes."

But critics warned that the FCC order could prevent 20 million Americans with older, analog TVs from seeing these new-release movies at all. That's because the order allows the studios to limit delivery of new movies to only those households with newer digital sets.

In addition, critics say the blocking technology could prohibit legal recordings on some video recorders and other devices with analog connections.

"We are unsure when the FCC has ever before given private entities the right to disable consumers' products in their homes," the Consumer Electronics Association said in a statement. "The fact that the motion picture studios want to create a new business model does not mean that functioning products should be disabled by them."

Public Knowledge, a public interest group, said the FCC "has succumbed to the special-interest pleadings of the big media companies."

The FCC prohibits the use of so-called "selectable output control" technology, which encodes video programming with a signal to remotely disable set-top box output connections. The FCC granted a waiver from those rules on Friday at the request of the MPAA.

Allowing movie studios to temporarily prevent recording from TVs could pave the way for movies to be released to homes sooner than they are today. The FCC said the waiver is therefore in the public interest, because the studios are unlikely to offer new movies so soon after their theatrical release without such controls.

Companies such as The Walt Disney Co. have been trying to shorten the time between theatrical and home video releases, partly to benefit from one round of marketing buzz and partly to head off piracy. With DVD sales declining, studios are looking for new ways to deliver their content securely while still making money.

In its decision Friday, the agency stressed that its waiver includes several important conditions, including limits on how long studios can use the blocking technology. The FCC said the technology cannot be used on a particular movie once it is out on DVD or Blu-Ray, or after 90 days from the time it is first used on that movie, whichever comes first.

 

Edit Article

Comments (2) -

HopeUMakeit Nickname posted a year ago
My 1080I rear projection tv does not have a digital tuner. I use my cable box and a 5 cable bundle (R-G-B and L-F audio) to connect to my monitor. My TV does not have a HDMI input because I was a early adaptor. I am a firm believer that idiots chase every new change in television by running out and buying new equipment. This is how American households end up swimming in debt. Cutting the output of the plugs is fruitless in most cases. all thieves will have to do is install the recording device downstream of the TV. All stereo TVs have AVoutputs to send the signal somewhere else. I would prefer a digital ID stamp be recorded via the cable box output plugs that would identify the source of the signal to a specific cable box which would then identify the subscriber. I am sick of my rights being trampled on because the cable industry and the studios spend more time trying to place blame on a another link in the chain and pass off the costs of copyright enforcement.
PSIPthing Nickname posted a year ago
this isn't your "rights" being trampled on in any context; it's the terms on which you might be able to watch movies at home before they are available in any form except in a theater. You still have the "right" to watch the movie at a theater; that window is rather narrow, all by itself..

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2905.66 +45.98 (+1.61%)
NYSE 8060.43 +115.00 (+1.45%)
S&P 500 1344.90 +19.36 (+1.46%)
Updated 02/04 3:56p ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for February 3, 2012
  • 1.
    3.9/11
  • 2.
    3.5/9
  • 3.
    2.5/7
  • 4.
    1.5/4
  • 5.
    1.5/4
  • 6.
    0.9/2
Source: Nielsen
Reviews
Opinions
Features
  • Robert Lloyd

    Keegan-Michael Key and Jordan Peele, veterans of Fox's sketch comedy MADtv, have a new series of their own, Comedy Central's Key & Peele. It is a genial, at times almost genteel, half-hour in which the pair's obvious niceness shines through even their more pugnacious characters. (Key's version of road rage is to shout, "Selfish!") In a roundabout way, that's the point. The sketches are consistently smart and smartly acted and flow easily from ordinary premises to weird conclusions.

  • Hank Stuever

    Discovery's Bering Sea Gold doesn’t seem at first like it has crossed any new reality TV frontier, relying on elements and structure familiar to the form. Enticingly (to the network), it combines the ocean and the gold and the cold and the reactive testosterone among bad-tempered desperados. To which I am surprised to cry: Eureka, they’ve found it! Bering Sea Gold is a testament to how thoroughly absorbing the genre can still be, when it’s done right.

  • Neil Genzlinger

    All Star Dealers, Discovery Channel's sports-memorabilia addition to the bloated auction/pawnshop/storage locker subgenre of reality television, should have been a winner, with endless stories to draw on and a built-in fan base. But rather than find its own formula, it was content to borrow from existing shows, and it borrowed all the wrong things.

  • Joanne Ostrow

    Kiefer Sutherland displays his softer side in Fox's Touch, a touchy-feely drama merging paranormal, spiritual and sweetly familial elements. shows off his acting chops, long forgotten, in scene after scene. It's heavier lifting than usual for the actor who was often reduced to caricature in 24. Sutherland is all about vulnerability in a show whose goal is nothing short of proving the interconnectedness of human life. We'll see if audiences can tolerate the notion of profound interrelatedness as weekly entertainment.

  • Tim Goodman

    Let's jump right to the most obvious of all sentiments when it comes to HBO's new horse racing/gambling series Luck: Do not bet against David Milch in this one. Like a lot of HBO series, Luck will require patience. It's telling a dense story with nuanced characters and it doesn't feel the need to rush in, like a network series, and hammer home the main themes. But each episode is more enriching, more engrossing than the last and there's Hoffman's superb turn at the forefront, even though his story unfolds with the least rush. Luck is a smart and ambitious series that looks to truly pay off in the home stretch.

  • Mike Hale

    The timing of FX's animated series Unsupervised is unfortunate. A kind of reversed Beavis and Butt-Head — in which the teenage heroes, while losers in just about every way, are also social strivers yearning for suburban domesticity and dispensing Oprah Winfrey-style affirmations — it has the bad luck of coming along three months after the original was revived by MTV. The new show looks awfully pale by comparison.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad