weekly syndicated ratings roundup

Syndies Face More Olympic Hurdles

Many shows cleared in daytime on NBC affiliates were bumped or completely preempted in the week ending Feb. 28, but there were a few in each genre that managed to post week-to-week gains.
By
TVNewsCheck,

The second week of the Vancouver Winter Olympics continued to severely affect syndication, as many shows cleared in daytime on NBC affiliates were bumped or completely preempted.

Of course, programs competing with the games found themselves up against much stronger than usual rivals and most strips remained little changed from the reduced rating levels of the previous session.

Story continues after the ad

Talk Shows

Three talkers -- The Doctors (CTD), Rachael Ray (CTD) and Bonnie Hunt (WBDTD) -- were broken out of the ratings by Nielsen every day of the week ending Feb. 28 due to massive preemptions.

Oprah (CTD) led the genre, edging up 2% to a 4.7, although that was only enough to tie Judge Judy (CTD) atop the daytime standings in first run. Judy, which held steady week to week at a 4.7, has been No. 1 in daytime 11 times in the past 14 weeks.

Three other gab fests gained ground. Live with Regis and Kelly (Disney-ABC) perked up 4% to a 2.7, Maury (NBCU) improved 5% to a 2.3; and Steve Wilkos Show (NBCU) was up 8% to a 1.4.

Dr. Phil (CTD), which was preempted for all or most of the week in eight of the 56 metered markets, slipped 7% to a 2.6; and Ellen DeGeneres (WBDTD) declined 4% to a 2.4. Jerry Springer (NBCU) was unchanged at a 1.4 and The Martha Stewart Show (NBCU) was far behind at a flat 0.6.

Court Shows

Judge Joe Brown (CTD), the No. 2 courtroom behind Judge Judy, jumped 5% in households to a 2.3, and 10% among women 18-49. People's Court (WBDTD) advanced 5% to a 2.2; Judge Mathis (WBDTD) was up 6% to a 1.8; and Judge Alex (Twentieth) gained 7% to a 1.6.

Freshman Shows

Among rookies, Dr. Oz (Sony) rebounded 8% to a 2.6 in first run and freshman off-net The Office (NBCU) stayed even with the week before at a 3.1. Among the other new entries, Are You Smarter Than a 5th Grader? (Twentieth) was flat at a 1.5; Wendy Williams (Debmar-Mercury) upticked 9% to 1.2; and Street Court (Litton) grew 17% to 0.7.

Game Shows

Game shows were led by Wheel of Fortune (CTD), which rolled to a 7.4, up 3 % from week before; Jeopardy! (CTD) added 3% to a 6.4; Who Wants to be a Millionaire (Disney-ABC) was down 4% to a 2.6; and Family Feud (Debmar-Mercury) was flat at a 1.3.

Magazine Shows

Entertainment Tonight (CTD) ruled the magazines with a 4.2, down 5% from the week before, although its Entertainment Tonight Weekend scored a 2.5, up 4% from the prior week and 19% from last year.

Inside Edition (CTD) faded 3% to a 3.1; Access Hollywood (NBCU) was flat at a 2.4; TMZ (WBDTD) advanced 5% to 2.1; Extra (WBDTD) climbed 11% to a 2.0; and The Insider (CTD) was steady at a 1.8.

Off-Net Sitcoms

Among off-net sitcoms, Two and a Half Men (WBDTD) was unchanged at a 5.5; Family Guy (Twentieth) gained 3% to a 3.6; George Lopez Show (WBDTD) was firm at a 2.8; Seinfeld (Sony) was up 4% to a 2.8; and Everybody Loves Raymond (CTD) remained at a2.7.

Off-Net Weekly Hours

Off-net weekly hours were all over the map. CSI: NY (CTD) held onto the lead, increasing 3% to a 3.3; Law & Order: Criminal Intent (NBCU) was down 3% to a 3.0; CSI: Miami (CTD) surged 24% to a 2.6; Without a Trace (WBDTD) was up 6% to a1.9, tying House (NBCU), which was stable at a 1.9; Bones (Twentieth) got buried, losing 14% to a 1.8; and Cold Case (WBDTD) fell 11% to a 1.7.

 

Edit Article

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2915.86 +11.78 (+0.41%)
NYSE 8082.98 +13.27 (+0.16%)
S&P 500 1349.96 +2.91 (+0.22%)
Updated 02/08 4:43p ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for February 7, 2012
  • 1.
    3.1/8
  • 2.
    3.0/8
  • 3.
    2.4/6
  • 4.
    2.0/5
  • 5.
    1.6/4
  • 6.
    0.6/1
Source: Nielsen
Reviews
Opinions
Features
  • Neil Genzlinger

    Smash, NBC’s series about backstage Broadway, comes with New York and Hollywood names off screen (Steven Spielberg, Therese Rebeck) and on (Debra Messing and Brian d’Arcy James). Given that pedigree, you’re expecting to be bowled over by the pilot, but it ends up feeling like a collage of devices from the zillions of previous backstage plays, musicals and movies. However, be patient — Smash gets better as it goes along and by Episode 3 it shows signs of becoming an addictive pleasure along the lines of this season’s Revenge.

  • Lori Rackl

    Pop some Dramamine before watching ABC's new horror series, The River, because the shaky camera work is more likely to make you seasick than scared. You can, however, skip the sleeping pill. The River's two-hour premiere should suffice. Billed as a thriller, the show tries hard to be terrifying and eerie in a Paranormal Activity kind of way. It ends up being hokey and, even worse, boring.

  • Robert Lloyd

    Keegan-Michael Key and Jordan Peele, veterans of Fox's sketch comedy MADtv, have a new series of their own, Comedy Central's Key & Peele. It is a genial, at times almost genteel, half-hour in which the pair's obvious niceness shines through even their more pugnacious characters. (Key's version of road rage is to shout, "Selfish!") In a roundabout way, that's the point. The sketches are consistently smart and smartly acted and flow easily from ordinary premises to weird conclusions.

  • Hank Stuever

    Discovery's Bering Sea Gold doesn’t seem at first like it has crossed any new reality TV frontier, relying on elements and structure familiar to the form. Enticingly (to the network), it combines the ocean and the gold and the cold and the reactive testosterone among bad-tempered desperados. To which I am surprised to cry: Eureka, they’ve found it! Bering Sea Gold is a testament to how thoroughly absorbing the genre can still be, when it’s done right.

  • Joanne Ostrow

    Kiefer Sutherland displays his softer side in Fox's Touch, a touchy-feely drama merging paranormal, spiritual and sweetly familial elements. shows off his acting chops, long forgotten, in scene after scene. It's heavier lifting than usual for the actor who was often reduced to caricature in 24. Sutherland is all about vulnerability in a show whose goal is nothing short of proving the interconnectedness of human life. We'll see if audiences can tolerate the notion of profound interrelatedness as weekly entertainment.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad