EXECUTIVE SESSION WITH Larry Patrick

Tough Talk About Even Tougher Times

The managing partner of the Patrick Communications station brokerage and appraisal firm says broadcasting is just beginning to feel the full impact of the tight credit markets and sharp advertising downturn. Expect more stations to go bust, further belt tightening and a dearth of station deals as owners await better times and better prices.
TVNewsCheck,

Few people have a better perspective on the broadcasting industry and what's ailing it these days than Larry Patrick.

As managing partner of Patrick Communications, a leading station broker and appraisal firm, he regularly examines stations' operations and their books as he helps them refinance, buy or sell. And he stays well grounded in the business through the ownership of a string of small-market radio stations.

Story continues after the ad

Unfortunately, Patrick sees dark days ahead for broadcasting.

In this interview with TVNewsCheck Editor Harry A. Jessell, Patrick says the industry is just beginning to feel the full impact of an economic "tsunami" generated by the tight credit markets and the sharp advertising slowdown.

He says to expect more foreclosures and bankruptcies, greater pressure to cut costs, sinking station prices and a dearth of station deals as owners await better times, which may not come until 2010.

The news is not all bad. Broadcasters with heaps of cash may be able to pick up stations at bargain prices from owners who have to sell as the banks press in.

What the industry really needs is a roll-up of some of the mid-size publicly traded station groups, he says. The regulatory and financial hurdles may not be as great as the difficulty of settling on which of the CEOs would run the surviving company.

An edited transcript:

What effect is the subprime lending meltdown and credit crunch having on TV broadcasting?

The whole economic meltdown is a very tough body blow for broadcast lending overall. If you are a broadcaster who paid a high price for your assets and you're at a point where you desperately need to refinance, at the moment at least, those refinancing options are extremely limited.

Banks are either not loaning or they're loaning at much lower multiples than they were just a year or two ago. If you're a seller, the difficulty is that many of the buyers who legitimately would have had a strong interest in your station or stations can't swing the deals these days.

Let's say you want 12 times [cash flow] for your station. In the past, a buyer might say that's OK because I can borrow 7 or 7 ½ times from a bank and do the rest with equity. But now the bank is saying: "Look, if we do it at all, we will only do it 5 times." So, suddenly, you have to put in so much more equity and the deal may not make sense anymore.

Look at it from the seller's side. When the multiples come down on the lending side, it translates into lower multiples for the pricing. So, instead of 12 times today, maybe suddenly you can only get 10 times. If you're in desperate trouble, you take it and run. If you can hang on, you just don't sell. You sit there for a while.

Are there some station groups in trouble because they need to refinance and can't?

That's correct.

How widespread is that problem?

I can think of a half-dozen, at least, who are in that situation where they have a lot of leverage and they're trying to figure out how they can refinance. That's very difficult.

Are we going to see some more bankruptcies like Pappas?

I think you probably will. We've been asked to appraise stations with the idea of selling and the people that are calling are not the broadcasters. They're the banks that are saying: "We're going to move towards foreclosure." That's a very bad thing for the industry when that happens.

On the other hand, where there are losers there are always winners. The station that is taken over by a bank may come back out on the market at a dramatically lower price.

If you're a private company and you have dry powder, you have cash in the bank and you have a good relationship with your lenders and you are not particularly highly leveraged, this may be one of the great shopping times.

You're going to see a handful of stations, maybe more than a handful, that will come on the market that you would have passed by in 13 or 14 [multiples] times, but now they're asking 10 or 11 times. Maybe, you can get yourself a little bit of a bargain.

The trading multiples on all stations are probably drifting down slightly. I was in Texas last week at the request of a bank visiting a station. It's a very nice station and it's a profitable station. It's sitting there doing several million dollars in cash flow and there's nothing wrong with the station.

The problem is that the company borrowed a lot of money to do improvements, to buy out some shareholders and do a number of other things. Then, the bank itself got in trouble. It wound up with a lot of bad loans and was liquidated and sold to another bank.

Edit Article

Comments (0) -

The Market

Symbol Last Change (%)
Nasdaq 2905.66 +45.98 (+1.61%)
NYSE 8060.43 +115.00 (+1.45%)
S&P 500 1344.90 +19.36 (+1.46%)
Updated 02/04 4:44a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for February 3, 2012
  • 1.
    3.9/11
  • 2.
    3.5/9
  • 3.
    2.5/7
  • 4.
    1.5/4
  • 5.
    1.5/4
  • 6.
    0.9/2
Source: Nielsen
Reviews
Opinions
Features
  • Robert Lloyd

    Keegan-Michael Key and Jordan Peele, veterans of Fox's sketch comedy MADtv, have a new series of their own, Comedy Central's Key & Peele. It is a genial, at times almost genteel, half-hour in which the pair's obvious niceness shines through even their more pugnacious characters. (Key's version of road rage is to shout, "Selfish!") In a roundabout way, that's the point. The sketches are consistently smart and smartly acted and flow easily from ordinary premises to weird conclusions.

  • Hank Stuever

    Discovery's Bering Sea Gold doesn’t seem at first like it has crossed any new reality TV frontier, relying on elements and structure familiar to the form. Enticingly (to the network), it combines the ocean and the gold and the cold and the reactive testosterone among bad-tempered desperados. To which I am surprised to cry: Eureka, they’ve found it! Bering Sea Gold is a testament to how thoroughly absorbing the genre can still be, when it’s done right.

  • Neil Genzlinger

    All Star Dealers, Discovery Channel's sports-memorabilia addition to the bloated auction/pawnshop/storage locker subgenre of reality television, should have been a winner, with endless stories to draw on and a built-in fan base. But rather than find its own formula, it was content to borrow from existing shows, and it borrowed all the wrong things.

  • Joanne Ostrow

    Kiefer Sutherland displays his softer side in Fox's Touch, a touchy-feely drama merging paranormal, spiritual and sweetly familial elements. shows off his acting chops, long forgotten, in scene after scene. It's heavier lifting than usual for the actor who was often reduced to caricature in 24. Sutherland is all about vulnerability in a show whose goal is nothing short of proving the interconnectedness of human life. We'll see if audiences can tolerate the notion of profound interrelatedness as weekly entertainment.

  • Tim Goodman

    Let's jump right to the most obvious of all sentiments when it comes to HBO's new horse racing/gambling series Luck: Do not bet against David Milch in this one. Like a lot of HBO series, Luck will require patience. It's telling a dense story with nuanced characters and it doesn't feel the need to rush in, like a network series, and hammer home the main themes. But each episode is more enriching, more engrossing than the last and there's Hoffman's superb turn at the forefront, even though his story unfolds with the least rush. Luck is a smart and ambitious series that looks to truly pay off in the home stretch.

  • Mike Hale

    The timing of FX's animated series Unsupervised is unfortunate. A kind of reversed Beavis and Butt-Head — in which the teenage heroes, while losers in just about every way, are also social strivers yearning for suburban domesticity and dispensing Oprah Winfrey-style affirmations — it has the bad luck of coming along three months after the original was revived by MTV. The new show looks awfully pale by comparison.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad