Tech Spotlight: BIAnalytix

Decentrix Offers Big Brother in a Box

Wayne Ruting claims to have business intelligence software that allows station group execs to look over the shoulder of every GM -- every sales person, for that matter -- in their groups at any time to make sure they're making their numbers. It works by gathering all station data into one easily accessible "warehouse."
TVNewsCheck,

As their jobs become increasingly complex, station group CEOs are looking for ways to gain quick access to financial and sales information from their far-flung stations and sort through it effectively so that they can identify and act on problems.

One company that says it has a solution for such needs is Denver-based Decentrix, which specializes in business intelligence for media industries.

Story continues after the ad

For broadcasters, it offers a product called BIAnalytix, which allows CEOs and others to rapidly drill down through data, even to the level of an individual salesperson.

Overlaying a Microsoft "data warehouse" with Decentrix's own proprietary software, the system captures data from all the source systems at stations that a CEO might want to analyze, including program management systems, traffic and billing, proposal systems, Nielsen audience data and online automation systems.

Decentrix has already sold systems to three major TV station groups, but is not at liberty to identify them.

TVNewsCheck's Peter Caranicas spoke to Decentrix founder and CEO Wayne Ruting, a veteran of broadcasting and the Internet, about his product and how Decentrix is positioned to help the TV station business.

An edited transcript:

In a station group, who could benefit from BIAnalytix?

Everybody, including the CEO, the CFO, the VP of sales -- every executive in the company. If you are going to execute a business intelligence solution, you want it to be very widely used through the corporation in order for it to have the greatest value.

Can different individuals have different levels of access?

Yes. When they log into the system they're authenticated by their login and password, and that gives them rights to a particular data slice of the data warehouse. For instance, if they're a salesperson at a station, they could be looking at exactly the same report as the CEO, but what they'll see is only the data for their clients.

For a station sales manager, the view will be for all the salespeople below him. The regional managers would see all the stations underneath them. And the CEO can see everything.

I assume it's Web-based to allow access from anywhere.

Yes. It's all provided through a portal. You can be in a hotel room and if you have Internet access you have total access to the information and to the data you have rights to have access to.

You say that BIAnalytix interfaces with other systems at the stations. How does it connect to those?

It's a very simple process. What we want to do is include every transactional element, or transaction. If you're talking about a traffic system, you want to know everything there is to know about a spot: whether it is edited, has been moved, canceled. We want each of those transactions to be extracted. We define a very simple mapping from the operational systems to what we call a staging area, or a staging schema.

This involves very simple map where a vendor of that transactional system can look at it and say, OK, I can map this field to that staging schema; I know exactly where it goes. It's essentially a superset of all the transactional information we are aware of in all these systems.

Do you define a transaction as a sale?

It might be a sale, but at more granular level a transaction describes the spots themselves. The order [for a spot] is kind of high-level for us. An order will comprise lots of different pieces of advertising placed over multiple days, often with multiple pieces of copy.

We pull information about the actual individual spot -- what it is, what the copy was, what dollars are attached to it, what precisely was the time it was placed, and everything that happens to it afterwards. We want to know when it was moved, where it was moved, whether it was canceled or amended.

The history of everything is in there?

Yes, it's all in there. Consequently, if I want to step back into the past to, say, exactly the same day last year for comparison purposes, I can. When I step back to that day, I am actually looking at the data as it existed on that day with 100 percent accuracy. I'm not looking at a summary. I'm looking at the detail as it appeared at that point in time.

So you can access anything you want as long as the data goes back that far?

Absolutely. We're in an Olympics year. If I want to make comparisons, I can step back four years.

How long would it take to implement this?

Typically the process of taking a brand new system and mapping it requires about three or four weeks. Once you have accomplished that you can extract the transactional information and homogenize it into a data warehouse. We generally work with the vendor of the operational systems.

Edit Article

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2905.66 +45.98 (+1.61%)
NYSE 8060.43 +115.00 (+1.45%)
S&P 500 1344.90 +19.36 (+1.46%)
Updated 02/04 4:58ä ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for 2月 3, 2012
  • 1.
    3.9/11
  • 2.
    3.5/9
  • 3.
    2.5/7
  • 4.
    1.5/4
  • 5.
    1.5/4
  • 6.
    0.9/2
Source: Nielsen
Reviews
Opinions
Features
  • Robert Lloyd

    Keegan-Michael Key and Jordan Peele, veterans of Fox's sketch comedy MADtv, have a new series of their own, Comedy Central's Key & Peele. It is a genial, at times almost genteel, half-hour in which the pair's obvious niceness shines through even their more pugnacious characters. (Key's version of road rage is to shout, "Selfish!") In a roundabout way, that's the point. The sketches are consistently smart and smartly acted and flow easily from ordinary premises to weird conclusions.

  • Hank Stuever

    Discovery's Bering Sea Gold doesn’t seem at first like it has crossed any new reality TV frontier, relying on elements and structure familiar to the form. Enticingly (to the network), it combines the ocean and the gold and the cold and the reactive testosterone among bad-tempered desperados. To which I am surprised to cry: Eureka, they’ve found it! Bering Sea Gold is a testament to how thoroughly absorbing the genre can still be, when it’s done right.

  • Neil Genzlinger

    All Star Dealers, Discovery Channel's sports-memorabilia addition to the bloated auction/pawnshop/storage locker subgenre of reality television, should have been a winner, with endless stories to draw on and a built-in fan base. But rather than find its own formula, it was content to borrow from existing shows, and it borrowed all the wrong things.

  • Joanne Ostrow

    Kiefer Sutherland displays his softer side in Fox's Touch, a touchy-feely drama merging paranormal, spiritual and sweetly familial elements. shows off his acting chops, long forgotten, in scene after scene. It's heavier lifting than usual for the actor who was often reduced to caricature in 24. Sutherland is all about vulnerability in a show whose goal is nothing short of proving the interconnectedness of human life. We'll see if audiences can tolerate the notion of profound interrelatedness as weekly entertainment.

  • Tim Goodman

    Let's jump right to the most obvious of all sentiments when it comes to HBO's new horse racing/gambling series Luck: Do not bet against David Milch in this one. Like a lot of HBO series, Luck will require patience. It's telling a dense story with nuanced characters and it doesn't feel the need to rush in, like a network series, and hammer home the main themes. But each episode is more enriching, more engrossing than the last and there's Hoffman's superb turn at the forefront, even though his story unfolds with the least rush. Luck is a smart and ambitious series that looks to truly pay off in the home stretch.

  • Mike Hale

    The timing of FX's animated series Unsupervised is unfortunate. A kind of reversed Beavis and Butt-Head — in which the teenage heroes, while losers in just about every way, are also social strivers yearning for suburban domesticity and dispensing Oprah Winfrey-style affirmations — it has the bad luck of coming along three months after the original was revived by MTV. The new show looks awfully pale by comparison.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad