HIGH COURT TO HEAR 'FLEETING EXPLETIVE' CASE

The Supreme Court on Monday stepped into a legal fight over the use of curse words on the airwaves, the high court's first major case on broadcast indecency in 30 years.
By
Associated Press,

WASHINGTON (AP) — The Supreme Court on Monday stepped into a legal fight over the use of curse words on the airwaves, the high court's first major case on broadcast indecency in 30 years.

The case concerns a Federal Communications Commission policy that allows for fines against broadcasters for so-called ''fleeting expletives,'' one-time uses of the F-word or its close cousins.

Story continues after the ad

Fox Broadcasting Co., along with ABC, CBS and NBC, challenged the new policy after the commission said broadcasts of entertainment awards shows in 2002 and 2003 were indecent because of profanity uttered by Bono, Cher and Nicole Richie.

A federal appeals court said the new policy was invalid and could violate the First Amendment.

No fines were issued in the incidents, but the FCC could impose fines for future violations of the policy.

The case before the court technically involves only two airings on Fox of the ''Billboard Music Awards'' in which celebrities' expletives were broadcast over the airwaves. NBC is separately challenging an FCC decision that rapped the network for airing Bono's use of the F-word during a Golden Globes awards show in 2003.

The case will be argued in the fall.

The FCC appealed to the Supreme Court after the 2nd U.S. Circuit Court of Appeals in New York nullified the agency's enforcement regime regarding ''fleeting expletives.'' By a 2-1 vote, the appeals court said the FCC had changed its policy and failed to adequately explain why it had done so.

The appeals court, acting on a complaint by the networks, nullified the policy until the agency could return with a better explanation for the change. In the same opinion, the court also said the agency's position was probably unconstitutional.

The court rejected the FCC's policy on procedural grounds, but was ''skeptical that the commission can provide a reasoned explanation for its fleeting expletive regime that would pass constitutional muster.''

Solicitor General Paul Clement, representing the FCC and the Bush administration, argued that the decision ''places the commission in an untenable position,'' powerless to stop the airing of expletives even when children are watching.

The FCC has pending before it ''hundreds of thousands of complaints'' regarding the broadcast of expletives, Clement said. He argued that the appeals court decision has left the agency ''accountable for the coarsening of the airwaves while simultaneously denying it effective tools to address the problem.''

The appeal also argued that the FCC's explanation of its policy was well reasoned and that the appeals court decision was at odds with the landmark 1978 indecency case, FCC v. Pacifica Foundation, the last broadcast indecency case heard by the Supreme Court.

Lawyers for the networks said the old policy worked well for 30 years and that broadcasters had no reason suddenly to allow for an explosion of expletives.

Separately, CBS is challenging a $550,000 fine the FCC imposed for the ''wardrobe malfunction'' that bared Janet Jackson's breast during a televised 2004 Super Bowl halftime show. The 3rd U.S. Circuit Court of Appeals in Philadelphia is considering whether the incident was indecent or merely a fleeting and accidental glitch that shouldn't be punished.

The case is the second recent test of the federal government's powers to regulate broadcast indecency. Last June, a federal appeals court in New York invalidated the government's policy on fleeting profanities uttered over the airwaves.

The new policy was put in place after a January 2003 broadcast of the Golden Globes awards show by NBC when U2 lead singer Bono uttered the phrase ''f——— brilliant.'' The FCC said the ''F-word'' in any context ''inherently has a sexual connotation'' and can trigger enforcement.

The Fox programs at issue are a Dec. 9, 2002, broadcast of the Billboard Music Awards in which singer Cher used the phrase ''F—- 'em'' and a Dec. 10, 2003, Billboard awards show in which reality show star Nicole Richie said, ''Have you ever tried to get cow s—- out of a Prada purse? It's not so f——— simple.''

The case will be argued in the fall.

The case is FCC v. Fox Television Stations, 07-582.

Edit Article

Comments (0) -

Classifieds

The Market

Symbol Last Change (%)
Nasdaq 2905.66 +45.98 (+1.61%)
NYSE 8060.43 +115.00 (+1.45%)
S&P 500 1344.90 +19.36 (+1.46%)
Updated 02/04 3:24a ET Quotes delayed at least 20 mins.
Source: Financial Content

Ratings

Overnights, adults 18-49 for February 3, 2012
  • 1.
    3.9/11
  • 2.
    3.5/9
  • 3.
    2.5/7
  • 4.
    1.5/4
  • 5.
    1.5/4
  • 6.
    0.9/2
Source: Nielsen
Reviews
Opinions
Features
  • Robert Lloyd

    Keegan-Michael Key and Jordan Peele, veterans of Fox's sketch comedy MADtv, have a new series of their own, Comedy Central's Key & Peele. It is a genial, at times almost genteel, half-hour in which the pair's obvious niceness shines through even their more pugnacious characters. (Key's version of road rage is to shout, "Selfish!") In a roundabout way, that's the point. The sketches are consistently smart and smartly acted and flow easily from ordinary premises to weird conclusions.

  • Hank Stuever

    Discovery's Bering Sea Gold doesn’t seem at first like it has crossed any new reality TV frontier, relying on elements and structure familiar to the form. Enticingly (to the network), it combines the ocean and the gold and the cold and the reactive testosterone among bad-tempered desperados. To which I am surprised to cry: Eureka, they’ve found it! Bering Sea Gold is a testament to how thoroughly absorbing the genre can still be, when it’s done right.

  • Neil Genzlinger

    All Star Dealers, Discovery Channel's sports-memorabilia addition to the bloated auction/pawnshop/storage locker subgenre of reality television, should have been a winner, with endless stories to draw on and a built-in fan base. But rather than find its own formula, it was content to borrow from existing shows, and it borrowed all the wrong things.

  • Joanne Ostrow

    Kiefer Sutherland displays his softer side in Fox's Touch, a touchy-feely drama merging paranormal, spiritual and sweetly familial elements. shows off his acting chops, long forgotten, in scene after scene. It's heavier lifting than usual for the actor who was often reduced to caricature in 24. Sutherland is all about vulnerability in a show whose goal is nothing short of proving the interconnectedness of human life. We'll see if audiences can tolerate the notion of profound interrelatedness as weekly entertainment.

  • Tim Goodman

    Let's jump right to the most obvious of all sentiments when it comes to HBO's new horse racing/gambling series Luck: Do not bet against David Milch in this one. Like a lot of HBO series, Luck will require patience. It's telling a dense story with nuanced characters and it doesn't feel the need to rush in, like a network series, and hammer home the main themes. But each episode is more enriching, more engrossing than the last and there's Hoffman's superb turn at the forefront, even though his story unfolds with the least rush. Luck is a smart and ambitious series that looks to truly pay off in the home stretch.

  • Mike Hale

    The timing of FX's animated series Unsupervised is unfortunate. A kind of reversed Beavis and Butt-Head — in which the teenage heroes, while losers in just about every way, are also social strivers yearning for suburban domesticity and dispensing Oprah Winfrey-style affirmations — it has the bad luck of coming along three months after the original was revived by MTV. The new show looks awfully pale by comparison.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad