Weekly syndication ratings roundup

Judy's The Standout In A Ho-Hum Week

The court queen turns in a 7.0 to lead all of first-run syndication and is one of only a handful of shows to turn in week-to-week gains in the frame ending April 29.
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TVNewsCheck,

Syndication leader Judge Judy’s ratings were on fire in an otherwise tepid session ending April 29, easily outperforming all shows in a frame that included the first two weekdays of the important May sweep.

Judy was the only member of syndication’s 7-rating club, jumping 6% to a four-week high 7.0 live-plus-same-day national Nielsen, and blowing away all rivals for the 10th week in a row.

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Also of note, Hot Bench, which was created by Judge Judy, grew 5% to a 2.3 and ranked as the No. 3 show in daytime behind only Judy and Dr. Phil.

Most of the other shows in first run were flat to down, due, in part, to preemptions for reports on Bill Cosby’s April 26 guilty verdict and competition from cable news coverage of the event.

For example, only two of the 15 talk shows were up week to week. One was Dr. Phil, which led the category for the 86th straight week, improving 3% to a 3.2, its biggest rating since the session beginning April 2.

The second gainer was fifth-place Wendy Williams, which advanced 8% to a 1.3.

Brand Connections

The other top talkers were Live with Kelly and Ryan and Ellen DeGeneres, which both eased 5% and tied for second at a 2.1.

The week’s biggest percentage loser among talk’s top 10 was Dr. Oz, which matched its all-time low with a 9% drop to a 1.0 and landed in a tie for ninth place.

In access, game shows stalled. Family Feud was flat at a 6.5, but led the category. Jeopardy and Wheel of Fortune each fell 5% to 5.9 and 5.8, respectively.

The week’s top-rated daytime talk shows in the women 25-54 demo were:

  • Dr. Phil (1.3, +8% from the week before)
  • Ellen DeGeneres (0.9, -18%), tied with Live with Kelly and Ryan (0.9, -10%) and Maury (0.9, +13%)
  • Wendy Williams (0.8, unchanged)

In the household rating rankings that follow, % change is from the previous week; * indicates a new season-high rating; ** indicates a new season low; NC indicates no change from the previous week; NA mean not applicable.

TALK SHOWS

1. Dr. Phil (CTD) 3.2 +3%

2. Ellen DeGeneres (WBDTD) 2.1 -5%

2. Live with Kelly and Ryan (Disney-ABC) 2.1 -5%

4. Maury (NBCU) 1.4 NC

5. Wendy Williams (Debmar-Mercury) 1.3 +8%

6. Steve (NBCU) 1.2 -8%

7. Rachael Ray (CTD) 1.1 NC

7. Jerry Springer (NBCU) 1.1 NC

9. Steve Wilkos (NBCU) 1.0 NC

9. Dr. Oz (Sony) 1.0 -9%

11. Crime Watch Daily with Chris Hansen (WBDTD) 0.9 NC

12. Harry (NBCU) 0.7 NC

12. The Real (WBDTD) 0.7 NC

12. The Doctors (CTD) 0.7 -13%

FIRST-RUN ROOKIE SHOWS

1. Daily Mail TV (CTD) 1.0 NC

2. Page Six TV (20th Television) 0.7 NC

3. Funny You Should Ask (Entertainment Studios) 0.4 NC

4. Pickler & Ben (Disney-ABC) 0.3 NC

COURT SHOWS

1. Judge Judy (CTD) 7.0 +6%

2. Hot Bench (CTD) 2.3 +5%

3. People’s Court (WBDTD) 1.5 NC

4. Judge Mathis (WBDTD) 1.1 NC

5. Divorce Court (Twentieth) 0.9 NC

6. Judge Faith (Trifecta) 0.6 NC

GAME SHOWS

1. Family Feud (Debmar-Mercury/FMNA) 6.5 NC

2. Jeopardy (CTD) 5.9 -5%

3. Wheel of Fortune (CTD) 5.8 -5%

4. Who Wants to Be a Millionaire (Disney-ABC) 1.6 NC

INTERNET VIDEO

1. Right This Minute (Disney-ABC) 1.3** -7%

OFF-NET TRUE CRIME

1. Dateline M-F (NBCU) 1.3 NC

MAGAZINE SHOWS

1. Inside Edition (CTD) 3.1 +3%

2. Entertainment Tonight (CTD) 3.0 NC

3. TMZ (WBDTD) 1.2 -14%

4. Access (NBCU) 1.1** -8%

4. Extra (WBDTD) 1.1 NC

6. Celebrity Page (Trifecta) 0.2 NC

OFF-NET SITCOMS

1. Big Bang Theory (WBDTD) 4.5 -2%

2. Modern Family (Twentieth) 2.0 NC

3. Last Man Standing (Twentieth) 1.7 NC

4. Two and a Half Men (WBDTD) 1.6 NC

4. The Goldbergs (Sony) 1.6 NC

6. Family Guy (Twentieth) 1.5 +7%

7. Mike and Molly (WBDTD) 1.4 NC

8. Two Broke Girls (WBDTD) 1.2 NC

9. Seinfeld (Sony) 1.0 -9%

9. The Cleveland Show (Twentieth) 1.0 NC

OFF-NET WEEKLY HOURS

1. Dateline Weekly (NBCU) 3.7 +9%

2. Law & Order: SVU (NBCU) 3.2 NC

3. Blue Bloods (CTD) 1.9 +6%

4. American Ninja Warrior (NBCU) 1.6 -6%

5. Law & Order: Criminal Intent (NBCU) 1.5 +7%

6. CSI Miami (CTD) 1.3 NC

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Ratings

Overnights, adults 18-49 for May 23, 2018
  • 1.
    1.4/6
  • 2.
    1.3/6
  • 3.
    1.0/4
  • 4.
    0.6/3
  • 5.
    0.4/2
  • 6.
    0.2/1
Source: Nielsen

Reviews

  • Hank Stuever

    In 1977, DC Comics unveiled a superhero named Black Lightning, hoping to fill an obvious void with a token character who, inspired somewhat by the characters in blaxploitation cinema, exhibited a lot of street sense on the blighted side of Metropolis. Black Lightning, a wholehearted and energetic live-action revival of the character on CW. It is a fine example of what television might look like once we move past the more ceremonial aspects of diversity. This is a black show on a network filled with white superheroes, and it displays no insecurity or self-consciousness about that.

  • Alexis Soloski

    In Amazon's Marvelous Mrs. Maisel, the creator of Gilmore Girls introduces another brainy, mouthy heroine, this time in the male-dominated comedy world of the 1950s.

  • Hal Boedeker

    A reassuring example of older means getting better, Will & Grace struts back to NBC bolder, brassier and bawdier. Some like it tart, and this frisky frolic delivers. After eight seasons, the beloved sitcom felt faded at its fade-out in 2006. Eleven years later, the revival packs a joyous kick in the first three episodes. Here is an absolutely fabulous return with four irrepressible stars who are at their very best. Will & Grace is no gay dinosaur.

  • Matt Zoller Seitz

    Wonderstruck, overstuffed, corny and stirring, Star Trek: Discovery stands tall alongside the best-regarded incarnations of the Trek franchise even as it raids elements from all of them (including the recent J.J. Abrams film series, which Paramount says is set in an alternate timeline that has nothing to do with this one). Though handsomely produced, the show’s imagination seems to have been slightly reined in by commercial mandates — namely, reinvigorating Trek as a TV property and serving as a marquee title that would lure customers to CBS All Access, the network’s subscription-only service.

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