TVN Tech | Weathercasting 2017

Weathercasting Forecast: A Flood Of Data

Newly available data from the GOES-16 weather satellite and other weather sources are making new data management strategies essential for meteorologists to get at what they need to make their predictions. Vendors have responded with various approaches each aimed at helping meteorologists separate the wheat from the chaff. Above KATU Portland, Ore., alerts viewers. (Baron Services photo)
TVNewsCheck,

Station meteorologists are awash in the data they rely upon to make weather predictions and warn of severe conditions, and the forecast sees no end in sight for the torrent as an explosion in data sources threatens to overwhelm station resources and meteorologists alike.

“From the expansion of dual-pol [polarization radar] data going back a few years to the latest release of GOES-16 [Geostationary Operational Environmental Satellite-16] satellite data, the amount of data available to meteorologists continues to explode,” says Mike Mougey, VP of broadcast sales at Baron Services.

Story continues after the ad

The GOES-16 satellite is producing “the largest data set of recent note,” says Jim Brihan, leader for the media offerings for media systems at The Weather Co. (formerly WSI).

Previous weather satellites provided imaging every 15 minutes, but GOES-16 can deliver new imagery “every five minutes or even every minute,” he says.

The frequency of new images from GOES-16 is only part of the story, says Karl Eggestad, sales director for weather solutions at ChyronHego.

Where once only visible, infrared and water vapor images were available from older satellites, GOES-16 delivers “dozens of different data products,” such as lightning probability, storm totals and other data parameters like pollutant and aerosol measurements used to model weather conditions, he says.

Brand Connections

Compounding the amount of satellite-delivered data is the higher resolution of these satellite images — three to four times greater than previous generations, Eggestad says.

Other factors, too, are driving the deluge of data. For instance, cloud-based computing has made it affordable for researchers and those in academia to process their own weather models using the GOES-16 data and in that way, make their new models available to meteorologists, says Eggestad.

A typical station meteorologist may wish to use about 200 MB of GOES-16 data every five minutes, Brihan says. “If you do the math, that’s about 30% of a 20 Mb/s pipe. The point is you are consuming a huge percentage of that 20 Mb/s pipe, and that could be a problem for a station if that’s the total bandwidth it has available.”

Beyond bandwidth resources, the flood of data can create other challenges for meteorologists, most notably a needle-in-the-haystack situation.

“The challenge is twofold,” says AccuWeather director of product development Bill Boss. “First, sifting through all of this data to find what is most important, and second, turning that information into something that is easy for the viewers to understand.”

While various weather system vendors are tackling the challenges in different ways, each recognizes the problems the weather data deluge creates.

AccuWeather has set up what it calls conditionals, a weather-condition trigger, in its StormDirector Plus system to winnow through the data automatically and alert meteorologists when a condition, such as a temperature threshold, is reached, Boss says.

Closely related is having “all of that at your fingertips” when a condition triggers an on-screen alert, such as a tornado warning, he says. “Because it can be touchscreen-driven, I can get conditionals when I am on air and immediately go to the information I need.”

Baron has deployed a multifaceted approach through its Baron Lynx weather graphics and storm tracking system to make it easier for meteorologists to get at the data they need, Mougey says.

Those include Baron-exclusive data products, daily pre-produced explainer graphics focused on the significant weather story of the day and an easy-to-use interface with intuitive buttons, dropdown menus and descriptive thumbnails for each product so meteorologists can see how a particular product will look on screen, he says.

The Metacast weather graphics system, which is tied into the ChyronHego Camio Universe workflow, came into existence some 20 years ago around the notion that data is a commodity, says Eggestad.

In that sense, it was designed from the very beginning to ingest and manage multiple parameters of weather data from multiple sources, he says.

Metacast tackles today’s flood of weather data by giving meteorologists a “user-friendly way of overlaying multiple models” to analyze and select from via the on-air system rather than a separate meteorological workstation, says Eggestad.

A database manager makes it possible to hide, show or discard individual models, he adds.

The Weather Company’s approach is to rely on the cloud. “The method of pushing data was fine when the amount of data was manageable, the data was a lower resolution and the frequency of updates was relatively low,” Brihan says.

Continuing down that path in today’s data environment, however, would overwhelm a station’s bandwidth and ability to process the data, as well as fill up its disks, he says.

Pulling data from the cloud bypasses these problems. A station meteorologist using the company’s Max weather system “through the normal course of his or her day” may want certain data, such as GOES-16 data or dual-pol data from the National Weather Service, he says.

“By requesting that data in their scenes and their work every day, they essentially make a request to the cloud for that data, and they do it transparently,” Brihan says.

Related Links

Tags

Comments (2) -

gbtheusa Nickname posted 13 days ago
Why would anyone watch these people..Thir forecasts are yesterday's news..A good App is all you need
RDDavison Nickname posted 10 days ago
Just means more "OMIGAWD Ya'll all gonna die bend over and kiss it goodbye" weather cut ins and crawls. Except when Jose on the backhoe cuts a fiber and you can't get to the cloud because most companies are too cheap to pay for redundant connectivity with route diversity. Yea that cloud stuff will be just fine...
Marketshare Blog Playout Blog

Twitter

TVNewsCheck

Ratings

Overnights, adults 18-49 for August 22, 2017
  • 1.
    2.1/9
  • 2.
    0.8/3
  • 3.
    0.6/2
  • 4.
    0.5/2
  • 5.
    0.4/2
  • 6.
    0.2/1
Source: Nielsen

Reviews

  • Gail Pennington

    A sweet little show, low key and more smile-worthy than hilarious, ABC's Downward Dog won't be for everyone. Animal lovers are likely to find it adorable; cynics, unless they really, really love dogs, probably should stay away.

  • Neal Justin

    Tina Fey will inevitably let down her legions of TV fans with a real stinker. But not yet. The comic maestro, whom Rolling Stone recently ranked as the third greatest player in Saturday Night Live history, is following 30 Rock and Unbreakable Kimmy Schmidt with NBC’s Great News, yet another fast-paced, perfectly absurd sitcom about a single woman trying to maintain a personal and professional life with Mary Richards-like spunk.

  • Jeanne Jakle

    Don’t go into the new round of Fargo expecting the grab-’em-by-the-throat shocks that opened previous seasons of TV’s chilliest crime anthology. The latest incarnation of the FX series from Noah Hawley takes its time worming into your mind and getting you hooked. Season three establishes its characters at a much more leisurely pace: the central quartet, the unscrupulous locals who surround them and the sinister interlopers who make these drab Minnesota lives more complicated and, eventually, scary as heck.

  • Daniel Fienberg

    In Brockmire, Hank Azaria's Funny or Die sportscaster works surprisingly well as a regular series lead on the new IFC show, costarring the excellent Amanda Peet. Over the course of the eight episodes, Brockmire moves through a trio of arcs, delivering underdog sports shenanigans, a relationship that makes more sense as it progresses and Brockmire's sad and probably doomed search for redemption. That's all propped up with enough low-brow jokes, raunchy baseball references and disreputable hijinks that the show never wallows. I reached the finale and was surprised at how much I wanted to see more from a character I initially thought couldn't sustain more than five minutes.

  • Maureen Ryan

    It’s appropriate that The Good Fight on CBS All Access has a slightly more jagged and splintered atmosphere than The Good Wife, the long-running CBS drama that starred Julianna Margulies. In the opening minutes of the first episode, Diane Lockhart (Christine Baranski), watches as Donald Trump is sworn in as the nation’s 45th president. Before the 50-minute pilot is over, the jarring changing of the guard in Washington is the least of her troubles. Baranski brings a heartbreaking rawness to her performance as Diane, who never got enough meaningful screen time on The Good Wife. Diane’s plight is thus personal but also metaphorical: She likens the collapse of every pillar of her supposedly solid and trustworthy world to a nightmare.

  • David Wiegand

    It’s hard to say which is more excessive in the new CBS crime thriller, Training Day: the action or the dialogue. But in either case, the series from Jerry Bruckheimer and Anthony Fuqua goes a long way toward waking up broadcast TV’s mid-season. There is plenty of action, enhanced by fast-paced editing, in the three episodes made available to critics. And there’s violence. But most of all, there is dialogue so rich and colorful, it almost evokes the stuff of guys like Raymond Chandler and Dashiell Hammett, or at least Sgt. Joe Friday. Training Day just may get away with murder on Thursday nights when the numbers are counted.

  • Hank Stuever

    Well, they only had to remake a jillion TV shows from yesteryear to finally get one exactly, perfectly right. Not only is Netflix’s reimagined One Day at a Time a joy to watch, it’s also the first time in many years that a multicamera sitcom (the kind filmed on a set with studio-audience laughter) has seemed so instinctively comfortable in its own skin. It doesn’t try to subvert or improve on the sitcom format; it simply exhibits faith that the sitcom genre can still work in a refreshing and relevant way.

This advertisement will close automatically in  second(s). You will see this ad no more than once a day. Skip ad